Found videos from 1998

A high street strip, a gothic seductress, a cultural lesson, a bomb threat, a photo booth, a photo shoot, a cruise down the main street, a broadcast from outer space, a floaty necklace, a Harajuku girl and a mysterious staircase.
Continue reading Found videos from 1998

Eye TV “Worse For Wear”

2001-eye-tv-worse-for-wearIt’s Eye TV’s final NZ On Air-funded video. They had 15 funded videos, which puts them on par with Garageland and Tadpole. It’s kind of nice that their final video was directed by Greg Page, whose music-video-directing career developed alongside Eye TV’s music career.

Greg previously directed “One Day Ahead” for the band, a stylish performance-based video. He takes a different tack with “Worse For Wear” going back to his roots in animation. He’d previously done claymation music videos (Shihad’s “Yr Head is a Rock”, Throw’s “Honeyblonde”), but those were done with a dash of humour.

“Worse For Wear” has the darker side of Greg’s creative vision, previously seen in the gothic mad-scientistic story in Throw’s “All Different Things”. It tells the story of a lowly cleaner (who works for the Worse For Wear cleaning company). In fact, with a title card reading “The Cleaner”, the narrative-heavy music video also effectively works as a short film.

It’s a scribbly grey world, with the animation done as simple black pen drawings on cardboard cut-outs, with slightly more detailed cityscapes and backgrounds. Wielding his mop like a paintbrush, Clive the cleaner gets to work on the murky grey walls, but they seem to dirty themselves almost as quickly as he can clean them.

Finally he gets the wall clean and it glistens with pristine whiteness. But now that everything is clean, what will Clive do for work? He cries dark grey tears and the teardrops plop on the floor and soon turn everything else grey. “All is well” appears on the wall. Clive leaves, content in the knowledge that there’ll be more work for him tomorrow.

“Worse For Wear” is a sweet, uplifting song but the lyrics are specifically a man addressing a messed-up woman. The video sticks with the same theme but moves it to the far more interesting scenario of Clive the cleaner and his tears of eternal employment.

Best bit: Clive’s work ID card – his ticket to happiness.

Note: The video isn’t embeddable, but you can watch it over at Greg Page’s portfolio at Fish’n’Clips.

Next… bonus power round.

Eye TV “Soul Train”

2000-eye-tv-soul-trainThere’s something a bit uncanny valley happening in the “Soul Train” video. The song is a bright, upbeat soul number with electronic undertones. The video uses elements of the classic soul look, but things get a little strange. The band members have each been shot separately and they’re lit with bright, washed-out lighting that gives the band members a strange android-like appearance.

The motion of video is also has an unusual twitchy feeling, again making the band members seem more like robots than humans. With the band members never seen together, instead shot against different colour backgrounds, it’s as if they’re being held in cells for their pop-soul crimes. Or maybe being pop-soul androids, they don’t actually need all that much space to live in.

I’m actually really disappointed by this video. I like it better when Eye TV look and act like humans. This video obviously had a lower budget to some of their more impressive earlier works (like “One Day Ahead” and “Wish It All Away”), but having a low budget doesn’t mean having to make a bad video.

Best bit: Luke the drummer’s Playboy bunny logo t-shirt.

Ngā Taonga Sound & Vision

Next… an awkward encounter with an ex.

Eye TV “One Day Ahead”

1999-eye-tv-one-day-aheadEye TV go for a simple performance-based video for “One Day Ahead”. They’re playing on stage at a theatre but with their backs to the empty auditorium. The video has been shot with the song sped up and then slowed down in edit, giving the everything a dreamy feel.

The video was directed by Greg Page and it shows his strength – capturing a band’s live energy. The sped-up/slowed-down trick has a nice side effect – because miming to a Chipmunk version of your song is kind of silly, the band all look genuinely happy, something that’s hard to achieve in a video.

I need to comment on lead singer Sean’s hair. It’s starkly bleached blonde. Now, I know this look was fashionable in the ’90s. Nathan from Zed did it. Even Justin Timberlake once did his hair like this. But looking at it now in the ’10s, it seems like peacocking, a practise used in the “pick-up artist” community where a man uses outlandish dress to get the attention of unsuspecting women. So, hey ladies, check this out – bleach blonde hair, hoop earrings and… a soulful, uplifting pop song.

But the video isn’t trying to get in anyone’s pants and so doesn’t let Sean’s hair take over. The song has a Manic Street Preachers sound and the video generally keeps things pretty low key. There’s one moment of wildness, though. In the middle of the song the slow-down action gets crazy, looking like they did one take totally over the top. Drums are thrashed, the keyboard teeters, and rockstar leaps are made.

The song ends by fading out and the video ends with a close-up of someone’s foot twisting to the beat, implying that the song is going on forever.

Best bit: the keyboard player’s internal struggle between wanting to have a bad-ass rock star freak out but not actually wanting his keyboard to smash on the floor.

Director: Greg Page
Ngā Taonga Sound & Vision

Next… tasi, lua, tolu, fa.

Eye TV “Just The Way It Is”

1999-eye-tv-just-the-way-it-isWorst gig ever. Eye TV are playing at a party, but singer Sean is late and he can’t find a way to get into the party house. This leaves the rest of the band to do their best in his absence with just a bassist and singing drummer, like a pop version of Death From Above 1979. However, none of the partygoers seem particularly bothered. Perhaps they’re all desperate to be seen enjoying this two-piece band exploring new musical directions.

Meanwhile, Sean runs around the house, trying to find a window to get inside. It’s raining, with the rain artfully running down the windows, suggesting the building has poor guttering.

Sean gives up and heads over to the pool whereupon he blows up pool toys, chucking them in the water and having a splash around with a giant shark. This actually looks more fun than the party proper.

Ready to give up on the whole stupid thing, Sean finally spies someone going inside and gratefully chases after him. Finally the lead singer/guitarist is reunited with his band. But so powerful was his experience with the pool toys that he lures the partygoers outside where – OMG – pool party! It’s a low budget vid but there’s a sense of silly fun to the video.

Best bit: the dramatic rainy window action.

Director: Joe Lonie
Ngā Taonga Sound & Vision

Next… prisoner number 710N4.

Missing videos from 1998

February 1998

Bike “Take In The Sun”

Bike have the rather Fits-esque sounding “Take In The Sun”. The video was shot on Super 8 film in Mexico.

Director: Jonathan King
Ngā Taonga Sound & Vision

Coelacanth “Never”

Coelacanth return with “Never”. The Kiwi Hit Disc likened this song to Bailter Space and quoted Tearaway magazine enthusing, “Their music is to die for. We like them very much.”

Lole “Take You Higher”

Another track from Lole. This time she has “Take You Higher”.

Salmonella Dub “Loletta”

Back before Salmonella Dub were the kings of barbecue reggae, they had “Loletta”, an askew jazzy number. From memory, the video was a studio-based black and white job. Nga Taonga describe the video as, “The band perform in monochrome while the subject of song is in colour in backstreets”.

Director: David Reid
Ngā Taonga Sound & Vision

April 1998

Bailter Space “Argonaut”

“Argonaut” is an epic instrumental from Bailter Space.

Director: Alistair Parker
Ngā Taonga Sound & Vision

Barry Saunders “Colour Me Blue (Song For Jas)”

The Kiwi Hit Disc noted that “Colour Me Blue” was a “heartfelt ode” to Barry’s “globetrotting son”. Nga Taonga describes the video as, “Barry walking on rural road as cyclist passes. Cyclist seen in various rural locations interspersed with Barry singing in one room then another.”

Director: James Cowley
Ngā Taonga Sound & Vision

Breathe “Started Something”

“Started Something” is another video from the early days of Breathe. The track has an epic film montage sound to it. The Film Archive describes the video as, “Band perform in leaking warehouse/ garage.”

Ngā Taonga Sound & Vision

Dead Flowers “Outer Space”

“Outer Space” is an upbeat pop-track, produced by Eddie Rayner. The Split Enz connection continues, with Bryan Bell saying that the song was “‘Loving The Alien‘ meets ‘Poor Boy‘”.

Michelle Rounds “Culture Cross”

Singer Michelle Rounds had the song “Culture Cross”.

Muckhole “Lie”

Auckland punks Muckhole had “Lie” from their “Fresh Muck” EP. That video ain’t nowhere to be seen. But instead here’s “Cool Guy” from 1997. It reached No.48 in the singles chart. The video was made without NZ On Air funding for a mere $2000.

Southside of Bombay “Say”

“Say” was produced by Ian Morris (who had previously produced “What the Time Mr Wolf”). The Kiwi Hit Disc quoted band member Kevin Hodges saying that the love song, “just felt like a good summer single”.

Ngā Taonga Sound & Vision

June 1998

Dave Dobbyn “Hanging in the Wire”

“Hanging in the Wire” was a track from Dave Dobbyn’s album “The Islander”.

Freaker “All Alone”

“All Alone” was the second of Freaker’s two funded videos. An album was planned but it didn’t get released due to the closure of record label Deepgrooves, so it’s likely this meant the “All Alone” video wasn’t made either.

New Loungehead “Ike Just Do It”

New Loungehead subvert a corporate slogan with “Ike Just Do It”, from their album “Came a Weird Way”. New Loungehead were another signed to Deepgrooves.

Pause “Jana”

Pause’s second funded song is “Jana”. Dub Dot Dash has more about Pause and their never-released album. Pause were also signed to Deepgrooves.

August 1998

Ma-V-Elle “Love Is”

Vocal trio Ma-V-Elle were back with “Love Is”, the soulful closing track from their debut album.

Mary “Bigger”

Girl band Mary have the track “Bigger”. Nga Taonga offers this rather comprehensive description of the video: “A woman sits at night in a green corner diner/coffee bar with large windows (which recalls the Edward Hopper painting “Nighthawks at the Diner”). A car approaches with the guitarist in the back seat. Mary perform “Bigger” on a TV screen in the diner. The car stops for the singer/ guitarist.”

Director: Peter Bannan
Ngā Taonga Sound & Vision

NV “Don’t Make Me Wait”

Wellington trio NV have “Don’t Make Me Wait”, described by the Herald has having a “bitter brand of bubblegum”. Nga Taonga describes the video as “Woman sings on roadside with warehouse, pedestrians and traffic – and later rioters – behind her.”

Directors: Wayne Conway, Mark Tierney
Ngā Taonga Sound & Vision

Peter Stuyvesant Hitlist “Superkool”

Named after the last Dutch governor of New York and/or an international cigarette brand, the Peter Stuyvesant Hitlist were known for their entertaining loungey grooves. Nga Taonga describes the video as, “Four office workers in a pub sing karaoke to the Peter Stuyvesant Hit List’s “Superkool”. The Peter Stuyvesant Hit List are seen performing on the karaoke screen.” Ah, the old “music video as karaoke track” treatment.

Director: Carla Rotondo
Ngā Taonga Sound & Vision

Sina “Boy”

Another solo track from Sina. “Boy” was from the soundtrack of “Once Were Warriors” sequel “What Becomes of the Brokenhearted”, but was never actually released as a single.

Stereo Bus “Hey Thank You”

The Stereo Bus have the rather cheerful “Hey Thank You”, sounding like The Cure on a happy day.

Ngā Taonga Sound & Vision

October 1998

Ardijah “Silly Love Songs”

Ardijah bring a Pacific flavour (i.e. ukulele) to the Wings tune “Silly Love Songs”. The song went to No.1 in January 1999. Here’s Ardijah performing the song at a Polynesian music festival in Hawaii. In 2015, Ardijah offspring Beau Monga covered “Silly Love Songs” on The X Factor, which he later went on to win.

Ngā Taonga Sound & Vision

Bailter Space “Big Cat”

“Big Cat” was the penultimate video that Bailter Space had funded in the ’90s, before returning with “World We Share” in 2012.

Leza Corban “Comfort & Joy”

Debbie Harwood put her coordination skills to good use with the album “Angels”, featuring New Zealand singers (Hammond Gamble, Rikki Morris, Mika) and TV personalities (Willy de Witt, Leanne Malcolm and Nick-bloody-Eynon) covering classic Christmas songs. Leza Corban, who had previously sung with Strawpeople, had the first single “Comfort & Joy”.

December 1998

Brett Sawyer “She Came Along”

The video for Brett Sawyer’s song “She Came Along” was filmed at St Leo’s school hall in Devonport.

Director: Jonathan King
Ngā Taonga Sound & Vision

Eye TV “Doo Song”

Eye TV have the comedically named “The Doo Song”. The Kiwihits entry notes it was rerecorded and released in 2000, and the database note that the funding was changed to the “Doo Song” from their song “Ditch Witch”.

NV “Unlikely”

“Classy come-down band” NV have the single “Unlikely”, which was a nominee for Best Video in the 1999 New Zealand Music Awards. Nga Taonga describes the videos as, “Singer in Queensland lakes setting and on jetty”, by which I think they mean Queenstown.

Directors: Wayne Conway, Mark Tierney
Ngā Taonga Sound & Vision

Paua Fritters “Her Story”

Paua Fritters are (were? I think they’re still together) an acoustic folk-pop group with busking roots. “Her Story” was a finalist in the 1998 APRA Silver Scroll awards.

Pause “Kronos”

“Kronos” is another track from Deepgrooves artist Pause.

Instead…

In the world of non-NZOA-funded videos, 1998 saw Neil Finn contending with a 50-foot woman in the video for “She Will Have Her Way”. Neil is expertly integrated with footage from films “Attack of the 50 Foot Woman” and “The 30 Foot Bride of Candy Rock”, making him the beau of the towering heroine, a height pairing reminiscent of the golden days of Rod Stewart and Rachel Hunter.

Ngā Taonga Sound & Vision

Eye TV “Wish It All Away”

1997-eye-tv-wish-it-all-awaySerenading used to be so much simpler. The young man would stand outside the abode of his beloved and strum a song – or hold up a boombox – and win her over. When Eye TV try it, things don’t quite go as planned.

It starts out well, as they being to play the song outside a house. But where is the object of their affections? I say “they” because it really does seem to be a group effort, as if the entire band if trying to win someone over.

The first person to notice them is a woman taking out the washing. At night? It’ll never dry. Slowly people in the building become aware of the woo-ers. A light snaps on. An old man frowns. A group of young women cheer. Two dudes grin. An older couple find the situation romantic. But what sort of house is this? Why do all these different people live in the same house? Perhaps it’s a halfway house.

The locals are well into the group’s dreamy 1950s-tinged pop ballad (except the old man), but there’s no sign of the girl. But suddenly she comes walking down the road, wearing a waitress uniform and slouchy old sneakers. But rather than walking like someone who’s been on her feet all day long, she’s doing a sexy catwalk strut, which looks really weird.

Finally the girl is reunited with the band. Proving that this is some sort of bizarre love quadrangle, the video ends with the four of them going on a romantic countryside date in a convertible. Modern love.

Best bit: the youths who carry a couch outside to enjoy the entertainment.

Director: Jesse Warn
Ngā Taonga Sound & Vision

Next… dirty beatniks.

Eye TV “Dynamite”

1997-eyetv-dynamiteThis video is directed by Supergroove’s bass player Joe Lonie, who gained his directing chops through making all the videos for Supergroove. I’m not sure if this is his first video for another band, but it’s at least amongst his earliest. Joe’s music videos have a particular style – they all have a gimmick. This video can be summed up thusly: shot in one take, with sped-up footage, the band perform the song on the back of a truck at it drives around One Tree Hill. Kind of like Bjork’s “Big Time Sensuality” video, plus colour and a Kiwi location, minus the budget and Stephane Sednaoui’s artistic eye.

“Dynamite” is an energetic rock number, with the fierce, Nietzsche-quoting chorus “I am not a man! I am dynamite!” The video captures this energy, with the sped-up footage giving the video a crazy twitchy energy.

While the video has a gimmick behind it, the song and the general execution of the video don’t make it seem gimmicky. The idea of a “dynamite” person hooning up One Tree Hill and then coming down just as fast, fits well with the theme and tempo of the song.

But like other videos of this era shot at One Tree Hill, it now has a bittersweet flavour. Everytime there’s a glimpse of the now missing tree, a feel a little sadness. Poor tree.

Best bit: the two moments where Luke the drummer gets to come up to the front.

Director: Joe Lonie
Ngā Taonga Sound & Vision

Next… drawn and quartered.

Missing videos from 1997

February 1997

AKA Brown “Tonight Is Yours”

AKA Brown was Sam Feo of the Semi MCs teamed with the mighty Chong-Nee. “Tonight is Yours” is an ultra smooth R&B jam that sounds about five years ahead of its time.

Annie Crummer “I Come Alive”

Annie Crummer has “I Come Alive”, another single off her “Seventh Wave” album.

Future Stupid “Rock Star”

My theory is any band who writes a song called “Rock Star” is deeply conflicted by their role in the entertainment industry. Future Stupid evidently have this concern. Here’s a live video.

Moana and the Moahunters “You Haven’t Done Nothing”

The Kiwi Hit Disc reckoned that Moana and the Moahunters cover of Stevie Wonder’s funky protest song — originally titled “U Haven’t Done Nuthin” — would appear on their second album, Rua, but it didn’t make it. It did, however, later show up as the opening track on the compilation album Southside Funk ‘N’ Soul (1985-1996), a collection of previously unreleased tracks.

Russell Harrison “The Best”

There’s no sign of the video from long-time Lotto presenter Russell Harrison, but there’s a non-NZOA-funded clip of this smooth R&B jam “Why You Wanna”. Russell plays three guys auditioning for a role by doing an improv seduction scene in a bar. The video starts at 0:20, but it’s worth watching the introduction, where he seems a bit annoyed by the video.

Thorazine Shuffle “Secret You Hide”

Thorazine Shuffle is listed as having received funding for their song “Secret You Hide”, but as far as I can tell this wasn’t released as a single and didn’t have a video made.

April 1997

Breathe “Waterslide”

“Waterslide” was a track on Breathe’s Smiley Hands EP. Weirdly enough, the lyrics can be found on a few spammy lyrics websites. Well, someone out there cares.

Buckle “Swoon”

Buckle appears to have been a “jazzy, trip-hop” group. “Swoon” was their one and only funded video.

Cicada “Backstab”

“Backstab” was Cicada’s fourth and final funded video, but it doesn’t look like a video was made. But there are plenty of other Cicada videos online. Frequent Cicada video director Marc Swadel made a demo reel of five music videos for the five tracks off Cicada’s Oscillator EP: “Alpha Jerk”, “Sway”“Good”, “Spine” and “Winter” (which had a proper funded video made).

Eye TV “Snakes & Ladders”

“Snakes & Ladders” was the opening track from Eye TV’s third album, “Birdy-O”. The Nga Taonga has this intriguing description: “Band members run, push man in shopping trolley, and ride bicycles. They perform as a rival band with Christian placards on Auckland waterfront.”

Director: Joe Lonie
Ngā Taonga Sound & Vision

Inchworm “It Means a Lot To Me”

Inchworm’s second funded video was “It Means a Lot to Me”, again directed by Greg Page. Nga Taonga describe it as “Inchworm eat at a family dinner and sit around glumly afterwards (The television in the lounge shows the NZ On Air logo.) They are then seen performing “Means a Lot To Me” in (otherwise deserted) school grounds.” Here’s the band performing the song live at a 2016 reunion gig.

Director: Greg Page
Ngā Taonga Sound & Vision

Lava Lava “Feel The Heat”

Dance band Lava Lava had “Feel The Heat” and a video which included “fire dancing on the top of Mt Eden, live footage from the TRU SCHOOL 97 tour and a Cadillac with licence plate SPADE!” If anything puts this video firmly in 1997 it’s “spade”.

Shihad “Ghost From The Past”

Shihad’s “Ghost From the Past” video seems somewhat elusive. There was even a Shihad fan discussion from 2008 regarding the missing video with a few vowing to track down a copy. Director Julian Boshier describes it as “a live video that was shot at the Powerstation in Auckland, sometime around 1996 – Fish album era”. Here’s a live version from an Australian gig in 1997, featuring a newly short-haired Jon.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Southside of Bombay “Running”

Southside of Bombay had the single “Running”.

June 1997

Ardijah “Love So Right”

Ardijah give a South Pacific update to the Bee Gees song “Love So Right”.

Ngā Taonga Sound & Vision

Coelacanth “Choke”

Coelacanth were a four-piece alternative rock band. A bio of the band notes that they produced “four completed music videos, three of which never made it to air.” Is “Choke” one of those unaired videos?

Ngā Taonga Sound & Vision

Dead Flowers “I Wanna Know”

The Dead Flowers get really really pop with “I Wanna Know”. They must have been promoting the crap out of it because there are two live performances from TV shows – a delightfully degraded VHS copy of an appearance on Ground Zero, and this one from Ice TV. Nga Taonga describe the video as “The band play in a passenger waiting room.”

Director: Jonathan King
Ngā Taonga Sound & Vision

Peaches “Down In Splendour”

Another track from Debbie Harwood’s Peaches project, matching her favourite female singers with classic New Zealand songs. This time vocalist Leza Corban covers the Straitjacket Fits tune “Down In Splendour”.

Propeller “Repeat The Question”

Propeller have “Repeat The Question”, another track from their final album and their penultimate NZOA funded video. Here’s a live-ish recording.

Southern Tribe “Closer”

Southern Tribe was a solo project by Hamilton musician Andrew Newth (formerly of Love and Violence). Described by the Htown Wiki as an ‘elaborate looping’ video, the laid-back, instrumental “Closer” was directed by Greg Page. Nga Taonga describes the video as, “Man lying prone on ground rises and follows a figure (who looks him) into building and observes other versions of himself. He throws himself from balcony, then rises .”

Director: Greg Page
Ngā Taonga Sound & Vision

August 1997

Mary “I’ll Be Seeing You”

Mary have their second video “I’ll Be Seeing You”. Nga Taonga describe the video as, “The band perform against a white backdrop interspersed with brief shots of them in outdoor setting (city street, beach).”

Director: Sigi Spath
Ngā Taonga Sound & Vision

Muckhole “Kooza”

“The past three years have left me bruised and broken,” Muckhole wail. Sadly the “Kooza” video isn’t online, depriving us of the visual depiction of this emotion.

Propeller “Refrain”

“Refrain” is the final video from Propeller. Farewell, Propeller.

October 1997

5 Go Mad “Too Bad”

5 Go Mad had two videos funded. “Too Bad” was the first track. According to Stephen from the band, the video was shot “in the back of an old monastery on Richmond Road”, and featured Jan Hellriegel.

Director: Jonathan King
Ngā Taonga Sound & Vision

Bike “Anybody Know”

Just as I start liking the music of Bike, the videos start disappearing. “Anybody Know” is a an upbeat guitar pop track with gloriously noisy guitars.

Dead Flowers “Free”

Dead Flowers have the song “Free”, produced by Eddie Rayner. There are few traces of it online.

New Loungehead “Johnny 14”

New Loungehead were purveyors of very cool jazz. “Johnny 14” was the opening track off their album “Came a Weird Way”. Peter at DubDotDash takes a look back.

Director: Marc Swadel

December 1997

5 Go Mad “Above My Head”

5 Go Mad were a pop trio who won funding from the Recording Artist Development Scheme (RADS) run by RIANZ and Creative New Zealand “to promote emerging artists”. Rumour has it that the video for “Above My Head” was all but complete, but never made it off the edit suite (save for one VHS preview copy) due to reasons.

Director: Marc Swadel

B “So Long”

I talk about songs and bands that are hard to google, but this has to be the ultimate example: the band is called B and the song is called “So Long”. Do you know how many artists have a song called “So Long”? There are 12 songs with that name at Amplifier. But I finally managed to discover that B was Brendan Gregg of the Holy Toledos, and B also won RADS funding.

Director: David Reid
Ngā Taonga Sound & Vision

Charlotte Yates “Console”

Charlotte Yates, probably best known for her work with When The Cat’s Been Spayed”, has the song “Console”. The Leeanne Culy-directed video was previously on Charlotte’s website, but in ye olde Real Video format which didn’t play. Nga Taonga describe the video as, “Singer playing guitar under wharf by sea and in other locations.”

Director: Leeanne Culy
Ngā Taonga Sound & Vision

Dave Dobbyn “Waiting”

Dave Dobbyn has the upbeat pop track “Waiting”, with a hearty meandering melody. Here’s a live version.

Freaker “Mutilator”

Freaker were signed to Deepgrooves and “Mutilator” was an edgy instrumental track.

Lole “Comfort Me”

Samoan songstress Lole has “Comfort Me”. Instead here’s her song “Tu I Luga” which was used a David Tua’s entrance song in his big fight with Shane Cameron in 2007.

Pause “Only”

Pause was an early project by future Elemeno P guitarist Justyn Pilbrow, along with vocalists Jo Currie and Anna Copley. “Only” was their debut single, which Kiwi Hits described as having “eclectic rhythms and acoustic melody”. Deepgrooves describes the video as having been shot in black and white around Auckland, including breaking into the recently closed Auckland train station.

Director: Marc Swadel

Instead…

Now let’s take a look at a video that didn’t have NZ On Air funding but that managed to make a huge impact despite its $250 budget. It’s “Jesus I Was Evil”, an ode to badassness by the late, great Darcy Clay.

Directed by David Gunson who filmed it with an assortment of cheap cameras, it sees Darcy performing at the Summer Series in Albert Park and being generally evil around town, which includes hoovering up a fat line of cocaine, played expertly by custard powder. The video ends with Darcy’s email address, back when email was still new. Ngā Taonga Sound & Vision also hosts the video, with some good behind-the-scenes stories from the director.

Director: David Gunson
Ngā Taonga Sound & Vision

Missing videos from 1996

February 1996

Dei Hamo “International Whirl Rocker”

After making his mark doing the guest rap on Nathan Haines’ “Lady J”, Dei Hamo went solo with International Whirl Rocker (or “Rocca”, as it is listed in the NZOA database. The song was due to be released on Papa Pacific Records, but the label folded before this could happen, with Phil Fuemana eventually including the track on the groundbreaking Pioneers of a Pacifikian Frontier album. Here’s Dei Hamo performing the song live on Mai Time.

Teina Benioni “Gone Fishing”

Teina was nicknamed “the bard of Otara”. He played all the instruments and sang all the vocals on his song “Gone Fishing”.

Ngā Taonga Sound & Vision

April 1996

Eye TV “Immaculate”

Another track from Eye TV. “Immaculate” was a return to a more electric sound for the group. Nga Taonga describe the video as, “Eye TV perform “Immaculate” in white room under flashing lights.”

Director: Sharron Ward
Ngā Taonga Sound & Vision

Moana and the Moahunters “Prophecies”

“Prophecies” was a track on Moana and the Moahunter’s second album, Tahi. It’s a gentle soul ballad, and Moana’s website says it touches “on more spiritual matters”. This looks like a case where the video was never made.

Splitter “What You Know”

Splitter had “What You Know”, described by the Herald as “XTC-meets-powerpop”. Nga Taonga describe the video as, “The Splitter singer sings “What You Know” strapped to a chair in an interrogation room.”

Director: Jonathan King
Ngā Taonga Sound & Vision

June 1996

Bike “Old & Blue”

Bike’s first single, “Save My Life”, is afforded digital immortality due to its inclusion on the Flying Nun “Very Short Films” compilation, but second single “Old and Blue” isn’t so lucky.

Director: Mark Tierney
Ngā Taonga Sound & Vision

Dam Native “Top Notch Vocalist”

The only mention of the Dam Native song “Top Notch Vocalist” is in the NZOA funding list. It seems like the sort of funding that might have ended up going to a different song.

Future Stupid “Greed”

Christchurch band Future Stupid were causing a ruckus with “Greed”. While the music video isn’t online, you can take your pick of 1997 live performances at the Summer Series, the Big Day Out or a DIY music video.

Lodger “Tell Me Have You Ever Seen Me”

Another song from Lodger, aka Damon from Dead Flowers’ side project. I assume that “Tell Me Have You Ever Seen Me” is a cover of the Small Faces song.

Second Child “Prove You Wrong”

“Prove You Wrong” is the sixth funded video from Second Child.

Director: Jonathan King
Ngā Taonga Sound & Vision

Splitter “Tremolo Panned”

Splitter was an Andrew Thorne project and “Tremolo Panned” was a nice piece of mid-’90s rock. But best of all, the Kiwi Hit List noted that the song features “Graham Brazier on electrified harmonica”.

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The Exponents “Do You Feel In Love”

The Exponents said farewell to Warner Music with a final single, “Do You Feel In Love”. Nga Taonga’s description suggests the video is a classic style Greg Page animation: “A claymation Exponents perform “Do You Feel In Love”.”

Director: Greg Page
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August 1996

Breathe “Smiley Hands”

Breathe debuted with “Smiley Hands”, giving just an inkling of the major label excitement they stirred only a few years later. The olden internet has revealed this short but amazing article about the Smiley Hands EP. Taken from a December 1996 issue of RipItUp, it’s the kind of music writing that’s so scarce in this digital age.

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Dancing Azians “Elevator”

As if the awful band name wasn’t a giveaway, the Dancing Azians were a Rockquest band – the 1995 winners, in fact. “Elevator” was their first single, described by Pagan Records boss Trevor Reekie as “a genuinely funny song”.

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Igelese “Emotions”

“Emotions” was Igelese’s second funded video. There’s no sign of it ever having been made, which might be tied to the end of Igelese’s record label, Papa Pacific.

Lole “Feel Like Making Love”

Lole covers “Feel Like Making Love”, that’s the safe Roberta Flack song, not Bad Company’s rock classic.

Director: Marc Swadel
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Ngaire “The Look Of Love”

Having previously covered “Son of a Preacher Man”, Ngaire tackles another Dusty Springfield number, “The Look of Love”.

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Peaches “Go”

OMG, Peaches?! Wait, it’s not the Canadian performance artist, but a Debbie Harwood project. She got her musician mates to cover classic New Zealand pop. “Go” is project’s one original track, penned by Rikki Morris.

Seven a Side “Running Back to You”

Also from the Rockquest is Seven a Side, winner of the Tangata Pasifica Beats category. A funded video for “Running Back To You” was part of the prize package. The track also featured on Tangata Records’ compilation album Tribal Stomp II.

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Supergroove “5th Wheel”

“5th Wheel” is an attempt at a sweet pop song, complete with flute, strings, and ah-ah-ahs. I believe vocals are by Joe Lonie, and the video involved him sitting on the back of a ute.

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The 3Ds “Vector 27”

“Vector 27” was from The 3Ds final album, Strange News from the Angels. It was also the final 3Ds video to be funded. Nga Taonga enticingly describes the video as, “The 3Ds go for a drive in the countryside and encounter flying saucers and aliens.”

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October 1996

Ardijah “Oh Baby”

After returning from five years in Australia, “Oh Baby” was Ardijah’s new single. The video isn’t online, but here’s a short clip of a live performance from the era. Nga Taonga describe the video as “Ardijah perform “Oh Baby” in cabaret setting.”

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Bobby Owen “Falling”

The Kiwi Hit Disc described 18-year-old Bobby Owen’s single “Falling” as a “moody soulful ballad” that was recorded at Fuemana Studios.

Dam Native “Extremities”

Another cool track from Dam Native. “Extremities” was produced by Zane Lowe.

Greg Johnson “Softly On Me”

“Softly On Me” featured Boh Runga and was produced by Dave Dobbyn. Jonathan King directed the video, filmed at a Tongan church in Auckland.

Director: Jonathan King
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Mary “Golden Halo”

Mary was an all-girl band, and they were a very all-girl band. Check out this profile in the Herald – about half the article is about aspects of their all-girl-bandliness. Their sweet, girly song “Golden Halo” was the first of many funded videos. I’ve heard from a performer in the video who says she wore a halo, naturally enough.

Stellar “Real”

It’s cool seeing signs of Stellar’s early work, putting in the hard yards before they were snapped up by Sony and became pop icons. “Real” was another early single.

December 1996

Ardijah “Bad Buzz”

More Polyfonk from Ardijah, this time with “Bad Buzz”, a Bob Marley tribute. Nga Taonga describes the video as “Ardijah sing “Bad Buzz” walking through sideshows / amusement park.”

Director: Neil Cervin
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Brothers & Sisters “Parihaka”

Like both Tim Finn and Jacqui Keelan Davey, the young Maori band Brothers & Sisters pay tribute to the pacifist Te Whiti with their song “Parihaka”. The track featured on the Tangata Records compilation album Tribal Stomp II.

DLT “Black Panthers”

The instrumental “Black Panthers” was the second single off DLT’s album “The True School”.

Fat Mannequin “That Matters”

Fat Mannequin deliver “That Matters”, a very ’90s rock ballad.

In The Whare “Sister Dread”

According to NZOA, In The Whare’s music was a mix of reggae, hip hop, funk and metal. Their song “Sister Dread” also featured on Tribal Stomp II.

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Instead…

Here’s another music video from Fat Mannequin, “Room and Spine”, also from 1996. It’s noteworthy because the guitarist is wearing a Vision Streetwear t-shirt (just like the guy in EMF!) and because the lead singer, with his curly long hair and quirky performance mannerisms, looks like a parallel universe version of Lorde as a boy. The best bit, though, is the menacing old lady.

Director: Jeff Hurrell
Nga Taonga Sound & Vision