It’s another solo release from Warratahs frontman Barry Saunders. He’s had two videos previously funded, popping up in 1995 and 1998, but this is the first that’s been online. “Rescue Me” is a pleasant country song, maybe heading more towards the alt-country side of things.
The video sees Barry go for a walk. And it’s a long walk. He starts off in Wellington, on Cuba Street. It’s down the south end, before it was chopped in two by the bypass, back when it was full of grotty old buildings (including a pre-reno Tonks Ave) full of interesting businesses taking advantage of the cheap rent.
But it’s not all boho Wellington. Through some clever cuts (like passing behind a tree), he seamlessly keeps on walking to other parts of Wellington, and then on to rural areas.
Wherever Barry walks, he keeps coming across musicians playing along with him. It’s not unbelievable to find a guitarist on Cuba Street, but things get surreal when there’s a string quartet in the middle of a field. Scenes with the musicians are shot in black and white (which is borderline cheesy), but as the picture turns to colour, the musicians disappear, suggesting it’s all in Barry’s head.
The video is shot in a slowed-down style, giving it a dreamy feel. Even when Barry is doing something as mundane as strolling around Wellington’s waterfront, the video takes on an epic tone. Good result.
Best bit: the trampoline on the grass verge outside a house, pedestrians be dammed.
Coelacanth return with “Never”. The Kiwi Hit Disc likened this song to Bailter Space and quoted Tearaway magazine enthusing, “Their music is to die for. We like them very much.”
Lole “Take You Higher”
Another track from Lole. This time she has “Take You Higher”.
Salmonella Dub “Loletta”
Back before Salmonella Dub were the kings of barbecue reggae, they had “Loletta”, an askew jazzy number. From memory, the video was a studio-based black and white job. Nga Taonga describe the video as, “The band perform in monochrome while the subject of song is in colour in backstreets”.
The Kiwi Hit Disc noted that “Colour Me Blue” was a “heartfelt ode” to Barry’s “globetrotting son”. Nga Taonga describes the video as, “Barry walking on rural road as cyclist passes. Cyclist seen in various rural locations interspersed with Barry singing in one room then another.”
“Started Something” is another video from the early days of Breathe. The track has an epic film montage sound to it. The Film Archive describes the video as, “Band perform in leaking warehouse/ garage.”
“Outer Space” is an upbeat pop-track, produced by Eddie Rayner. The Split Enz connection continues, with Bryan Bell saying that the song was “‘Loving The Alien‘ meets ‘Poor Boy‘”.
Michelle Rounds “Culture Cross”
Singer Michelle Rounds had the song “Culture Cross”.
Southside of Bombay “Say”
“Say” was produced by Ian Morris (who had previously produced “What the Time Mr Wolf”). The Kiwi Hit Disc quoted band member Kevin Hodges saying that the love song, “just felt like a good summer single”.
“All Alone” was the second of Freaker’s two funded videos. An album was planned but it didn’t get released due to the closure of record label Deepgrooves, so it’s likely this meant the “All Alone” video wasn’t made either.
New Loungehead “Ike Just Do It”
New Loungehead subvert a corporate slogan with “Ike Just Do It”, from their album Came a Weird Way. New Loungehead were another act signed to Deepgrooves.
Vocal trio Ma-V-Elle were back with “Love Is”, the soulful closing track from their debut album.
Girl band Mary have the track “Bigger”. Nga Taonga offers this rather comprehensive description of the video: “A woman sits at night in a green corner diner/coffee bar with large windows (which recalls the Edward Hopper painting “Nighthawks at the Diner”). A car approaches with the guitarist in the back seat. Mary perform “Bigger” on a TV screen in the diner. The car stops for the singer/ guitarist.”
Wellington trio NV have “Don’t Make Me Wait”, described by the Herald as having a “bitter brand of bubblegum”. Nga Taonga describes the video as “Woman sings on roadside with warehouse, pedestrians and traffic – and later rioters – behind her.”
Named after the last Dutch governor of New York and/or an international cigarette brand, the Peter Stuyvesant Hitlist were known for their entertaining loungey grooves. Nga Taonga describes the video as, “Four office workers in a pub sing karaoke to the Peter Stuyvesant Hit List’s “Superkool”. The Peter Stuyvesant Hit List are seen performing on the karaoke screen.” Ah, the old “music video as karaoke track” treatment.
“Big Cat” was the penultimate video that Bailter Space had funded in the ’90s, before returning with “World We Share” in 2012.
Leza Corban “Comfort & Joy”
Debbie Harwood put her coordination skills to good use with the album “Angels”, featuring New Zealand singers (Hammond Gamble, Rikki Morris, Mika) and TV personalities (Willy de Witt, Leanne Malcolm and Nick-bloody-Eynon) covering classic Christmas songs. Leza Corban, who had previously sung with Strawpeople, had the first single “Comfort & Joy”.
Brett Sawyer “She Came Along”
The video for Brett Sawyer’s song “She Came Along” was filmed at St Leo’s school hall in Devonport.
Eye TV have the comedically named “The Doo Song”. The Kiwihits entry notes it was rerecorded and released in 2000, and the database note that the funding was changed to the “Doo Song” from their song “Ditch Witch”.
“Classy come-down band” NV have the single “Unlikely”, which was a nominee for Best Video in the 1999 New Zealand Music Awards. Nga Taonga describes the videos as, “Singer in Queensland lakes setting and on jetty”, by which I think they mean Queenstown.
Paua Fritters are (were? I think they’re still together) an acoustic folk-pop group with busking roots. “Her Story” was a finalist in the 1998 APRA Silver Scroll awards.
“Kronos” is another track from Deepgrooves artist Pause.
In the world of non-NZOA-funded videos, 1998 saw Neil Finn contending with a 50-foot woman in the video for “She Will Have Her Way”. Neil is expertly integrated with footage from films “Attack of the 50 Foot Woman” and “The 30 Foot Bride of Candy Rock”, making him the beau of the towering heroine, a height pairing reminiscent of the golden days of Rod Stewart and Rachel Hunter.
More business from Christchurch grunge unit Pumpkinhead. With a song called “Third Eye”, I would be extremely disappointed if the video didn’t include low-tech animated third eyes. Nga Taonga describes the video as “Pumpkinhead perform “Third Eye” in a yellow lunar setting and in a pub.”
Spurred on by popularity from the “Once Were Warriors” soundtrack, Southside of Bombay make a house record, with the highly danceable “Umbadada”. But Southside haven’t lost track of their reggae roots – the song has a message of unity and living forever.
In 1995 the Feelers won the prestigious South Island Battle of the Bands competition. Part of the prize included a single and music video released through Wildside. That song in question was “The Leaving”, with the music video directed by James and Matthew of the Feelers and camera by future Feelers music video director David Reid. The song obviously didn’t have the impact of later single “Pressure Man”, but it was included as a track on the band’s debut album.
Wonderkind have “Destiny Change”, an upbeat dance song about a teen prostitute. There was a lot of that in the ’90s – upbeat dance music about really depressing social issues. Here’s a very 1997 remix of the song.
Another track from Hamilton songstress Jacqui Keelan Davey, this time with “Watching Me Drown”.
Maree Sheehan “Might As Well Shout”
The Kiwi Hit Disc described “Might As Well Shout” as a “fast-paced, catchy dancefloor number”. It features backing vocals from expats Mark Williams and Australian Idol vocal coach Erana Clark.
Papa “For What It’s Worth”
This is pretty much impossible to Google (it’s not a unique song title). I don’t know who Papa was, but it might be related to the record label, Papa Pacific.
Meanwhile in the world of non-NZOA-funded videos we find “Manic (Is a State of Mind)”, the first music single from Jan Hellriegel’s second album. Filmed in Sydney, it takes place in a gloriously garishly painted art deco house (not a visual effect, the YouTube description notes!), and features a very sinister looking cafe fridge.