Found videos from 1998

A high street strip, a gothic seductress, a cultural lesson, a bomb threat, a photo booth, a photo shoot, a cruise down the main street, a broadcast from outer space, a floaty necklace, a Harajuku girl and a mysterious staircase.
Continue reading Found videos from 1998

Stellar “Star”

2002-stellar-star“Star” was the last Stellar song to make the charts, interesting timing, given the song is named after the band. It’s a fairly standard upbeat Stellar rock song, but the video has an intriguing concept behind it.

Julian Boshier, director of Stellar’s “What You Do” video has some fun with the new freedom technology offered with digital cameras. The video is basically Stellar performing the song on a plain performance area (all wearing black and denim), while they’re shot by a number of fixed cameras positioned around the band.

Oddly enough, it gives the video similar feeling to that of a Big Brother episode. The cameras are there to capture the action, but the shots won’t necessarily be nicely composed. But it means the cutting between shots can be done flawlessly, with a close-up leading to a perfectly matched, totally continuous wide shot.

The editing carefully creates a bit of suspense. We don’t get a proper look at Boh singing until the first pre-chorus. Before then, it’s the rest of the band pacing and playing, with the occasional glimpse of Boh in her breaks between singing.

The biggest moment happens when the chorus kicks in and it’s revealed that the band are playing under a giant star-shaped lighting rig. It’s slightly sinister, like we’ve just discovered that the band are involved in a weird cult.

I like this video as a document of video production in 2002. But it doesn’t seem like a good video for promoting the song. It’s not a particularly strong single, so having an edgier video is a risk.

Best bit: Boh’s sassy guitar-pick-bite.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Next… modern art.

Breathe “Don’t Stop the Revolution”

2000-breathe-dont-stop-the-revolutionI bloody love this video. It’s so massive and overloaded and extravagant. Few New Zealand bands have the cojones to make a video this röck, but in 2000 Sony ensured that Breathe would have that experience.

“Don’t Stop the Revolution” made it to number six in the pop charts. It’s a bold, feel-good anthem, but it hasn’t really become a classic. Perhaps it just wasn’t New Zealand-ish enough.

Directed by Julian Boshier, the video begins with a codger in a gold jacket introducing the group to the sound of teen girl screams. He makes frequent use of a cue card, glancing down every few words. Anyway, here’s “the fabulous Breathe.”

The curtains pull back to reveal the band playing to a backdrop of leafless tree branches, with the background colour changing to reflect, I dunno, probably seasons and/or moods. The video initially focuses on lead singer Andrew, but by the time the first chorus comes, the camera lingers on the other band members. It’s as if the band has stipulated equal screentime for each band member and are timing it with a stopwatch.

And here’s a curious detail – three of the band members are wearing sunglasses, so the eye focus is on the lead singer and lead guitarist. Why those two? Or do the others just have sensitive eyes?

It’s all choice, but the very best bit is when the chorus comes back after the break. Andrew picks up his microphone stand, slowly walks toward the camera but doesn’t lip-sync. The background slowly changes to blue, then Andrew starts singing. In the background snow starts falling. Magnificent.

But wait. The video gets better. For in this winter wonderland there comes to be a ballerina, who doth verily dance amongst the branches and the faux snow. And finally the song gets around to ending, almost clocking in at five minutes. If this were a drinking game, I’d be in a coma.

This video deserves a better afterlife than the one it currently has. Most of the YouTube comments are from high school kids having an “OMG! It’s my English teacher!” moments at seeing “Mr Tilby” rocking out, but I reckon it deserves better. “Can’t Stop the Revolution” might not have been the massive hit that Sony were after, but both the song and video are so audaciously epic that it’s still worth remembering.

Best bit: the ballerina’s eyeroll.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Next… navel gazing.

Missing videos from 2000

February 2000

Brett Sawyer “Supercool”

Another track from the elusive Brett Sawyer. His single “Supercool” has almost no digital traces, but there is a brief review by Graham Reid in the NZ Herald, where he accurately describes Sawyer’s album When It Happens as being “Not bad, but over the long haul not gripping.”

Joshna “Anything”

Joshna’s single “Anything” notably was written by New Zealand songwriter Pam Sheyne, best known for co-writing Christina Aguilera’s “Genie in a Bottle”. The song has a cool housey sound with undeniable pop chops.

Mary “Big Boy (Santa’s In Town)”

Mary contributed the gentle track “Big Boy (Santa’s In Town)” to Christmas on the Rocks a yuletide compilation of New Zealand indie artists. (It’s actually quite a good CD, by the way.)

Moana and the Tribe “Speak To Me”

Moana, having ditched the Moahunters and rebranded to Moana and the Tribe, has “Speak To Me” the first single off her third album “Rua”. It was, as Graham Reid noted in the Herald, a departure from the hip hop sounds of earlier albums and a move to the world music sound she’s known for today.

Suzanne Neumann “Lose Control”

Suzanne reports that the video for “Lose Control” was released and was played frequently on television. Unfortunately the video is not currently available online.

April 2000

Before Friday “Now”

Before Friday were a duo of Dean Chandler and Ben Bell-Booth. They had a few singles – including “Now” – before deciding that it would be better if Dean went solo with Ben as his manager.

Carly Binding “We Kissed”

“We Kissed” was originally intended as the first single off TrueBliss’s second album, and indeed the funding was originally given as a TrueBliss single. But but eventually Carly Binding left the group, taking her pop with her. Carly’s first solo single was “Alright with Me (Taking it Easy)” had its video funded in 2002, leaving the funding for “We Kissed” on the books for later use.

Ngā Taonga Sound & Vision

Dave Dobbyn “Just Add Water”

“Just Add Water” was the opening track from Dave Dobbyn’s 2000 album “Hopetown”. Here’s a live version with Bic Runga and Tim Finn.

Deep Obsession “I Surrender”

After their run of three number one singles, Deep Obsession weren’t able to keep up the same level of success. “I Surrender” was the final single from their album “Infinity” and it charted at 25.

Fiona McDonald “I Don’t Care”

“I Don’t Care” was the eighth and final track to have a music video funded from Fiona McDonald’s album “A Different Hunger”, leaving only four tracks without a video. I think that’s a record!

Ngā Taonga Sound & Vision

June 2000

Breathe “Get Yourself Together”

“Get Yourself Together” was the fourth single from Breathe’s major label debut Don’t Stop the Revolution.

Brett Sawyer “No Mistake”

“No Mistake” is the fifth Brett Sawyer track to have funding and it’s the fifth where the video can’t be found.

Dave Dobbyn “My Kinda People”

Dave Dobbyn goes back to his sneery, punky roots with “My Kinda People”, the second single from his album Hopetown.

Ngā Taonga Sound & Vision

Pluto “Moscow Snow”

The moody “Moscow Snow” was the first release by Pluto, appearing on an Antenna Records compilation. Here’s a live version recorded at the Helen Young Studio for TV show Squeeze.

August 2000

Breathe “When The Sun Comes”

Breathe has “When The Sun Comes”, which includes the lyric, “Everybody likes to grow their hair long/Every once in a while/Or something like that”.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Confucius “Rollcall”

Confucius was the work of Christchurch electronica musician Nava Thomas. Director Gaylene Barnes intriguingly describes the “Roll Call” video as “Confucius and MysteriousD become trapped in a drum and bass time warp, in this sepia toned music video which incorporates archive footage.” The video was also a finalist in the 2001 New Zealand Music Video Awards.

Director: Gaylene Barnes
Ngā Taonga Sound & Vision

House of Downtown “Downtown Groove”

The House of Downtown track “Downtown Groove” was best known as the closing credits song for the Tarantino-esque 2001 New Zealand film Stickmen.

Ngā Taonga Sound & Vision

Leonard “Claire Swire”

Leonard’s second and final funded video was for “The New Claire Swire”. An intriguing song, assumedly about an office worker who wrote a personal email about semen that was forwarded around the world.

Director: James Moore
Ngā Taonga Sound & Vision

Mary “Ophelia”

More sweet guitar pop from Mary, with their harmony laden track “Ophelia”, an ode to two kittens.

Shaft “Might As Well Be Dumb”

Last seen in the mid-’90s with “Downhill Racer”, Shaft return with the loping “Might As Well Be Dumb”.

Sola Monday “All For A Dance”

Sola Monday’s second and final funded video was “All For A Dance”, a sweet folky, jazzy number.

Splitter “Supermarket Girl”

August 2000 is proving to be not a particularly fruitful month for finding music videos online. Joining the missing persons line-up is Splitter with “Supermarket Girl”.

The Nomad “Life Forms”

There’s no sign of The Nomad’s second video, “Life Forms”.

October 2000

DNE “The Cause”

DNE’s second and final video is for the upbeat dance-pop number “The Cause”. “We are bound to see this group do great things,” says the equally positive bio at Amplifier.

Goldfish Shopping Trolly (GST) “Hey You”

Goldfish Shopping Trolley (or GST for short) was the original name of Opshop. “Hey You” was their first single and has the classic Opshop anthemic sound. At the time, GST were threatening to release the alarmingly titled album “Homo-Electromagneticus”, which promised to capture “the turbulent etheric renderings and solid earthy rhythmic growl of the native New Zealand west coast”.

December 2000

Breathe “She Said”

After a run of 10 videos, Breathe go out with “She Said”. They just seem like a band that – for whatever reason – never quite lived up to their potential.

Loniz “Child Street Blues”

Loniz were a Tauranga-based trio who later became Pacific Realm. “Child Street Blues” was their first single, which the Kiwi Hit Disc says was playlisted on iwi and b.Net radio stations.

Shihad “Just Like Everybody Else”

The list I have of completed videos includes the Shihad track “Just Like Everybody Else”. But when even the very thorough Shihad Wiki doesn’t list it in their exhaustive videography, it’s likely it was never made.

The Subliminals “Uh-Oh”

Oh, this is cruel. There are two older Subliminals videos on NZ On Screen, but no sign of their one NZOA funded video, “Uh-Oh”. Here’s the band playing the song at Flying Nun’s 30th birthday celebrations in Dunedin in 2011.

Instead…

Weta were one of those bands who seemed hovering on the verge of greatness, but for whatever reason, things didn’t happen. (But things are very much happening for Aaron Tokona’s new band, the psychedelic AhoriBuzz). This is Weta at their best, getting series amongst shipping containers.

Stellar “What You Do (Bastard)”

1998-stellar-what-you-doWe last saw Stellar in 1995 with the song “Ride”. Back then they looked like a fairly ordinary rock band. Three years later they showed up with a rejigged line-up and a striking new look.

We meet the new Stellar decked out in blue and red, done to direct the eye in particular directions. Specifically, the drummer, bassist and lead guitarist are in regressive black and blue, with the guitarist using a bright red guitar. But the total focal point of the video is Boh Runga, with bright red hair, a red gown (no jeans for this rock chick) and a blue guitar and blue eye make-up.

I remember reading at the time that Boh had dyed her hair so she’d look as unlike her famous sister as she could. Well, not only does she not look not look like Bic Runga, she looks more like a fierce rock alien. It’s like she’s forgone a traditionally ‘pretty’ look and just gone for as much impact as possible. And it works.

It’s a very bold, confident video. It makes the previous incarnation of Stellar feel like some kids mucking around. This Stellar has figured out who they are and aren’t afraid to show everyone what they’re capable of.

Oh, you know what? When this song was first released, I could never work out why it had ‘bastard’ in the title. I’ve now realised this is because the chorus goes “Show the bastards what you do.” Not bouncers, buzzers, bandsaws or whatever it was I thought Boh was singing back in the day.

Best bit: Boh’s devilish double-bun hair action.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Next… tall, upside-down and fragile.

Shihad “Interconnector”

1998-shihad-interconnector“Interconnector” was a track off “The Blue Light Disco EP”, right in the middle of Shihad at their absolute peak.

Directed by Julian Boshier, the video starts with a squeal and a crash, with the band walking to their instruments in a hail of feedback. Shot with a strong blue tint, the band kicks off with the tense, energetic song.

Jon has newly short hair, accessorised with a dog collar, eyeliner and a shiny blue shirt. Weirdly enough, his look reminds me of the sort of thing the Feelers were wearing around this time. I’ll just chalk it up to fashion.

The rest of the band are dressed more subtly in black, but they’re still very much part of the video, with the camera rotating around the band on a circular dolly track.

Throughout the video, various words are highlighted with on-screen graphics, using a blue neon-style font. BULLSHIT, THAT’S TRUE, HOPE, ME + MY TV and GARBAGE flash on screen, but it’s not entirely successful. For a start, the text is up very briefly and the font isn’t so easy to read. But the chosen words seem to have been picked at random. Some choice nouns flash up, but what kind of statement is made with TO DO or GOT?

I like the simplicity of this video. Ignore the graphics and it’s a really good portrait of Shihad as a solid rock unit.

Best bit: Jon’s non-lipsync of the F word.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Next… a dreamy pyjama-clad adventure.

Head Like A Hole “Wet Rubber”

1998-hlah-wet-rubberYouTube uploader HEADLIKEAHOLENOISE introduces the song thusly: “a song developed from the find of a German porn movie in a works bin on the streets of Wellington. Enjoy!” Oh right, they just found it.

And indeed the video starts with footage of what appears to be an old porno with a Germanic voiceover informing us that “the gentleman is dressed up all in red, and the lady as it is done in pink”.

We don’t see the Euro pervs again, but were are introduced to HLAH, all decked out in leather, rubber, studs and a cowboy hat. They’re in a long wooden tunnel, gliding up and down it, which is probably highly symbolic.

It seems there was a bit of a ruckus regarding the video. A 1998 episode of the New Zealand music show “Squeeze” had a story on the “controversy surrounding their video for ‘Wet Rubber'”, even speaking to TVNZ’s head of programming standards. Well, it’s no AFFCO but I can see how it might ruffle some feathers.

The video and the song both seem intended as a pisstake of porn culture, and indeed it’s fair game, but yet when I hear the repeated lyric “Ride that whore! Make her blow!”, it makes me sigh. I’m going to blame it on the post-“Boogie Nights” (1997) mainstreaming of porn culture. The trouble is, not everyone is as clever as Paul Thomas Anderson, and it takes smarts to reference porn culture without going down the tired old route.

Best bit: drummer Hidee Beast earnestly decked out in bondage leather.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Next… OK in KL.

Head Like A Hole “Comfortably Shagged”

1998-hlah-comfortably-shaggedIn 1998 HLAH released “Are You Gonna Kiss It Or Shoot It?” aka HLAH: The Sex Years, on account of all the singles released off it being about sexy sex. There’s something cutely adolescent about it, like someone who’s figured out what sex is and wants everyone to know about it.

The video itself isn’t especially erotic or even sexy. It’s based about the very masculine, sweaty, smelly enviroment of a HLAH gig, alternating with Booga Beazley in a silver room. The lyrics speak of a man who’s in bed with “mirrors above my head”, but the bedroom presented is a mundane hotel room, with a chaste peach interior.

Then it’s time for some outdoor fun, with various outdoor high jinks, including the drummer drumming/hooning around a roundabout in Invercargill. The video then finishes with scenes from an outdoor concert in… oh crap, it’s Christchurch. No matter what HLAH’s sexy intentions were, seeing the dearly departed rose window of the Cathedral lurking in the background is an instant boner killer. *sad face*

Best bit: scenic Invercargill!

Director: Julian Boshier
Ngā Taonga Sound & Vision

Next… from bizarre to sweet.

Head Like A Hole “Beatnik”

1997-hlah-beatnikTribute albums were big in the ’90s. As well as Flying Nun’s Abba tribute “Abbasalutely”, the label also released “God Save the Clean”, where local bands tackled the back catalogue of the Clean. HLAH’s contribution was their version of “Beatnik”.

The video keeps with the weirdness of the original video, opening with a spin around Albert Park where we meet Booga playing a disco-suited lout, which is as close as HLAH get to a beatnik. I mean, there’s no way HLAH could do the black skivvy and beret thing.

The beatnik causes trouble in a Jervois Road dairy and bothers some people outside St Patrick’s Cathedral. In the world of HLAH, men still wear walk shorts and long songs, so obviously they deserve to be bothered. There’s some more bothering at the Herne Bay Bowling Club, then the band heads over to the Point Erin Pool where they play on the concrete divider between the two pool areas. This video has so many Auckland landmarks that it could form the basis of a walking tour.

In the rool-trippy-as middle bit of the song, the action moves to the most amazing restaurant ever. All the walls have fish tanks on them and the room has freaky fishtank light. I want this place to still exist. I want to go there.

The action winds up with a saunter through the bowling club bar, then the band hangs out in the middle of Ponsonby Road. Guys, it’s not safe there!

HLAH take the Clean’s original song and throw it around a bit, having some fun with it. The video has that vibe too, and I love all the Aucklandic locations.

Best bit: the briefcase do-si-do with Mr Walkshorts.

Director: Julian Boshier
Ngā Taonga Sound & Vision

There’s actually a second version of this video, which is more like a remix of the original video. I don’t think it’s as good as the original, but it may be worth a look.

Next… would you like me to seduce you?

Missing videos from 1997

February 1997

AKA Brown “Tonight Is Yours”

AKA Brown was Sam Feo of the Semi MCs teamed with the mighty Chong-Nee.

Annie Crummer “I Come Alive”

Annie Crummer has “I Come Alive”, another single off her Seventh Wave album. It’s a sweet, uplifting track.

Future Stupid “Rock Star”

My theory is any band who writes a song called “Rock Star” is deeply conflicted by their role in the entertainment industry. Future Stupid evidently have this concern. Here’s a live video.

Moana and the Moahunters “You Haven’t Done Nothing”

The Kiwi Hit Disc reckoned that Moana and the Moahunters cover of Stevie Wonder’s funky protest song — originally titled “U Haven’t Done Nuthin” — would appear on their second album, Rua, but it didn’t make it. It did, however, later show up as the opening track on the compilation album Southside Funk ‘N’ Soul (1985-1996), a collection of previously unreleased tracks.

Russell Harrison “The Best”

There’s no sign of the video from long-time Lotto presenter Russell Harrison, but there’s a non-NZOA-funded clip of this smooth R&B jam “Why You Wanna”. Russell plays three guys auditioning for a role by doing an improv seduction scene in a bar. The video starts at 0:20, but it’s worth watching the introduction, where he seems a bit annoyed by the video.

Thorazine Shuffle “Secret You Hide”

Thorazine Shuffle is listed as having received funding for their song “Secret You Hide”, but as far as I can tell this wasn’t released as a single and didn’t have a video made. Here’s a video of a 2018 live performance.

April 1997

Buckle “Swoon”

Buckle appears to have been a “jazzy, trip-hop” group. “Swoon” was their one and only funded video.

Cicada “Backstab”

“Backstab” was Cicada’s fourth and final funded video, but it doesn’t look like a video was made. But there are plenty of other Cicada videos online. Frequent Cicada video director Marc Swadel made a demo reel of five music videos for the five tracks off Cicada’s Oscillator EP: “Alpha Jerk”, “Sway”“Good”, “Spine” and “Winter” (which had a proper funded video made).

Eye TV “Snakes & Ladders”

“Snakes & Ladders” was the opening track from Eye TV’s third album, “Birdy-O”. The Nga Taonga has this intriguing description: “Band members run, push man in shopping trolley, and ride bicycles. They perform as a rival band with Christian placards on Auckland waterfront.”

Director: Joe Lonie
Ngā Taonga Sound & Vision

Lava Lava “Feel The Heat”

Dance band Lava Lava had “Feel The Heat” and a video which included “fire dancing on the top of Mt Eden, live footage from the TRU SCHOOL 97 tour and a Cadillac with licence plate SPADE!” If anything puts this video firmly in 1997 it’s “spade”.

Southside of Bombay “Running”

Southside of Bombay had the single “Running”.

June 1997

Ardijah “Love So Right”

Ardijah give a South Pacific update to the Bee Gees song “Love So Right”.

Ngā Taonga Sound & Vision

Coelacanth “Choke”

Coelacanth were a four-piece alternative rock band. A bio of the band notes that they produced “four completed music videos, three of which never made it to air.” Is “Choke” one of those unaired videos?

Ngā Taonga Sound & Vision

Dead Flowers “I Wanna Know”

The Dead Flowers get really really pop with “I Wanna Know”. They must have been promoting the crap out of it because there are two live performances from TV shows – a delightfully degraded VHS copy of an appearance on Ground Zero, and this one from Ice TV. Nga Taonga describe the video as “The band play in a passenger waiting room.”

Director: Jonathan King
Ngā Taonga Sound & Vision

Peaches “Down In Splendour”

Another track from Debbie Harwood’s Peaches project, matching her favourite female singers with classic New Zealand songs. This time vocalist Leza Corban covers the Straitjacket Fits tune “Down In Splendour”.

Propeller “Repeat The Question”

Propeller have “Repeat The Question”, another track from their final album and their penultimate NZOA funded video. Here’s a live-ish recording.

Southern Tribe “Closer”

Southern Tribe was a solo project by Hamilton musician Andrew Newth (formerly of Love and Violence). Described by the Htown Wiki as an ‘elaborate looping’ video, the laid-back, instrumental “Closer” was directed by Greg Page. Nga Taonga describes the video as, “Man lying prone on ground rises and follows a figure (who looks him) into building and observes other versions of himself. He throws himself from balcony, then rises .”

Director: Greg Page
Ngā Taonga Sound & Vision

August 1997

Mary “I’ll Be Seeing You”

Mary have their second video “I’ll Be Seeing You”. Nga Taonga describe the video as, “The band perform against a white backdrop interspersed with brief shots of them in outdoor setting (city street, beach).”

Director: Sigi Spath
Ngā Taonga Sound & Vision

Muckhole “Kooza”

“The past three years have left me bruised and broken,” Muckhole wail. Sadly the “Kooza” video isn’t online, depriving us of the visual depiction of this emotion.

Propeller “Refrain”

“Refrain” is the final video from Propeller. Farewell, Propeller.

October 1997

5 Go Mad “Too Bad”

5 Go Mad had two videos funded. “Too Bad” was the first track. According to Stephen from the band, the video was shot “in the back of an old monastery on Richmond Road”, and featured Jan Hellriegel.

Director: Jonathan King
Ngā Taonga Sound & Vision

Bike “Anybody Know”

Just as I start liking the music of Bike, the videos start disappearing. “Anybody Know” is a an upbeat guitar pop track with gloriously noisy guitars.

Dead Flowers “Free”

Dead Flowers have the song “Free”, produced by Eddie Rayner. There are few traces of it online.

New Loungehead “Johnny 14”

New Loungehead were purveyors of very cool jazz. “Johnny 14” was the opening track off their album “Came a Weird Way”. Peter at DubDotDash takes a look back.

Director: Marc Swadel

December 1997

5 Go Mad “Above My Head”

5 Go Mad were a pop trio who won funding from the Recording Artist Development Scheme (RADS) run by RIANZ and Creative New Zealand “to promote emerging artists”. Rumour has it that the video for “Above My Head” was all but complete, but never made it off the edit suite (save for one VHS preview copy) due to reasons.

Director: Marc Swadel

B “So Long”

I talk about songs and bands that are hard to google, but this has to be the ultimate example: the band is called B and the song is called “So Long”. Do you know how many artists have a song called “So Long”? There are 12 songs with that name at Amplifier. But I finally managed to discover that B was Brendan Gregg of the Holy Toledos, and B also won RADS funding.

Director: David Reid
Ngā Taonga Sound & Vision

Charlotte Yates “Console”

Charlotte Yates, probably best known for her work with When The Cat’s Been Spayed”, has the song “Console”. The Leeanne Culy-directed video was previously on Charlotte’s website, but in ye olde Real Video format. Nga Taonga describes the video as, “Singer playing guitar under wharf by sea and in other locations.”

Director: Leeanne Culy
Ngā Taonga Sound & Vision

Dave Dobbyn “Waiting”

Dave Dobbyn has the upbeat pop track “Waiting”, with a hearty meandering melody. Here’s a live version.

Freaker “Mutilator”

Freaker were signed to Deepgrooves and “Mutilator” was an edgy instrumental track.

Lole “Comfort Me”

Samoan songstress Lole has “Comfort Me”. Instead here’s her song “Tu I Luga” which was used a David Tua’s entrance song in his big fight with Shane Cameron in 2007.

Pause “Only”

Pause was an early project by future Elemeno P guitarist Justyn Pilbrow, along with vocalists Jo Currie and Anna Copley. “Only” was their debut single, which Kiwi Hits described as having “eclectic rhythms and acoustic melody”. Deepgrooves describes the video as having been shot in black and white around Auckland, including breaking into the recently closed Auckland train station.

Director: Marc Swadel

Instead…

Now let’s take a look at a video that didn’t have NZ On Air funding but that managed to make a huge impact despite its $250 budget. It’s “Jesus I Was Evil”, an ode to badassness by the late, great Darcy Clay.

Directed by David Gunson who filmed it with an assortment of cheap cameras, it sees Darcy performing at the Summer Series in Albert Park and being generally evil around town, which includes hoovering up a fat line of cocaine, played expertly by custard powder. The video ends with Darcy’s email address, back when email was still new. Ngā Taonga Sound & Vision also hosts the video, with some good behind-the-scenes stories from the director.

Director: David Gunson
Ngā Taonga Sound & Vision