Missing videos from 2000

February 2000

Brett Sawyer “Supercool”

Another track from the elusive Brett Sawyer. His single “Supercool” has almost no digital traces, but there is a brief review by Graham Reid in the NZ Herald, where he accurately describes Sawyer’s album When It Happens as being “Not bad, but over the long haul not gripping.”

Joshna “Anything”

Joshna’s single “Anything” notably was written by New Zealand songwriter Pam Sheyne, best known for co-writing Christina Aguilera’s “Genie in a Bottle”. The song has a cool housey sound with undeniable pop chops.

Mary “Big Boy (Santa’s In Town)”

Mary contributed the gentle track “Big Boy (Santa’s In Town)” to Christmas on the Rocks a yuletide compilation of New Zealand indie artists. (It’s actually quite a good CD, by the way.)

Moana and the Tribe “Speak To Me”

Moana, having ditched the Moahunters and rebranded to Moana and the Tribe, has “Speak To Me” the first single off her third album “Rua”. It was, as Graham Reid noted in the Herald, a departure from the hip hop sounds of earlier albums and a move to the world music sound she’s known for today.

Suzanne Neumann “Lose Control”

Suzanne reports that the video for “Lose Control” was released and was played frequently on television. Unfortunately the video is not currently available online.

April 2000

Before Friday “Now”

Before Friday were a duo of Dean Chandler and Ben Bell-Booth. They had a few singles – including “Now” – before deciding that it would be better if Dean went solo with Ben as his manager.

Carly Binding “We Kissed”

“We Kissed” was originally intended as the first single off TrueBliss’s second album, and indeed the funding was originally given as a TrueBliss single. But but eventually Carly Binding left the group, taking her pop with her. Carly’s first solo single was “Alright with Me (Taking it Easy)” had its video funded in 2002, leaving the funding for “We Kissed” on the books for later use.

Ngā Taonga Sound & Vision

Dave Dobbyn “Just Add Water”

“Just Add Water” was the opening track from Dave Dobbyn’s 2000 album “Hopetown”. Here’s a live version with Bic Runga and Tim Finn.

Deep Obsession “I Surrender”

After their run of three number one singles, Deep Obsession weren’t able to keep up the same level of success. “I Surrender” was the final single from their album “Infinity” and it charted at 25.

Fiona McDonald “I Don’t Care”

“I Don’t Care” was the eighth and final track to have a music video funded from Fiona McDonald’s album “A Different Hunger”, leaving only four tracks without a video. I think that’s a record!

Ngā Taonga Sound & Vision

June 2000

Breathe “Get Yourself Together”

“Get Yourself Together” was the fourth single from Breathe’s major label debut Don’t Stop the Revolution.

Brett Sawyer “No Mistake”

“No Mistake” is the fifth Brett Sawyer track to have funding and it’s the fifth where the video can’t be found.

Dave Dobbyn “My Kinda People”

Dave Dobbyn goes back to his sneery, punky roots with “My Kinda People”, the second single from his album Hopetown.

Ngā Taonga Sound & Vision

Pluto “Moscow Snow”

The moody “Moscow Snow” was the first release by Pluto, appearing on an Antenna Records compilation. Here’s a live version recorded at the Helen Young Studio for TV show Squeeze.

August 2000

Breathe “When The Sun Comes”

Breathe has “When The Sun Comes”, which includes the lyric, “Everybody likes to grow their hair long/Every once in a while/Or something like that”.

Director: Julian Boshier
Ngā Taonga Sound & Vision

Confucius “Rollcall”

Confucius was the work of Christchurch electronica musician Nava Thomas. Director Gaylene Barnes intriguingly describes the “Roll Call” video as “Confucius and MysteriousD become trapped in a drum and bass time warp, in this sepia toned music video which incorporates archive footage.” The video was also a finalist in the 2001 New Zealand Music Video Awards.

Director: Gaylene Barnes
Ngā Taonga Sound & Vision

House of Downtown “Downtown Groove”

The House of Downtown track “Downtown Groove” was best known as the closing credits song for the Tarantino-esque 2001 New Zealand film Stickmen.

Ngā Taonga Sound & Vision

Leonard “Claire Swire”

Leonard’s second and final funded video was for “The New Claire Swire”. An intriguing song, assumedly about an office worker who wrote a personal email about semen that was forwarded around the world.

Director: James Moore
Ngā Taonga Sound & Vision

Mary “Ophelia”

More sweet guitar pop from Mary, with their harmony laden track “Ophelia”, an ode to two kittens.

Shaft “Might As Well Be Dumb”

Last seen in the mid-’90s with “Downhill Racer”, Shaft return with the loping “Might As Well Be Dumb”.

Sola Monday “All For A Dance”

Sola Monday’s second and final funded video was “All For A Dance”, a sweet folky, jazzy number.

Splitter “Supermarket Girl”

August 2000 is proving to be not a particularly fruitful month for finding music videos online. Joining the missing persons line-up is Splitter with “Supermarket Girl”.

The Nomad “Life Forms”

There’s no sign of The Nomad’s second video, “Life Forms”.

October 2000

DNE “The Cause”

DNE’s second and final video is for the upbeat dance-pop number “The Cause”. “We are bound to see this group do great things,” says the equally positive bio at Amplifier.

Goldfish Shopping Trolly (GST) “Hey You”

Goldfish Shopping Trolley (or GST for short) was the original name of Opshop. “Hey You” was their first single and has the classic Opshop anthemic sound. At the time, GST were threatening to release the alarmingly titled album “Homo-Electromagneticus”, which promised to capture “the turbulent etheric renderings and solid earthy rhythmic growl of the native New Zealand west coast”.

December 2000

Breathe “She Said”

After a run of 10 videos, Breathe go out with “She Said”. They just seem like a band that – for whatever reason – never quite lived up to their potential.

Loniz “Child Street Blues”

Loniz were a Tauranga-based trio who later became Pacific Realm. “Child Street Blues” was their first single, which the Kiwi Hit Disc says was playlisted on iwi and b.Net radio stations.

Shihad “Just Like Everybody Else”

The list I have of completed videos includes the Shihad track “Just Like Everybody Else”. But when even the very thorough Shihad Wiki doesn’t list it in their exhaustive videography, it’s likely it was never made.

The Subliminals “Uh-Oh”

Oh, this is cruel. There are two older Subliminals videos on NZ On Screen, but no sign of their one NZOA funded video, “Uh-Oh”. Here’s the band playing the song at Flying Nun’s 30th birthday celebrations in Dunedin in 2011.

Instead…

Weta were one of those bands who seemed hovering on the verge of greatness, but for whatever reason, things didn’t happen. (But things are very much happening for Aaron Tokona’s new band, the psychedelic AhoriBuzz). This is Weta at their best, getting series amongst shipping containers.

House of Downtown “Whatever Comes”

2000-house-of-downtown-whatever-comescI wish I knew more about this video because it’s intriguing. The video looks to be a remix of an Indian film (or TV show) from the early 1970s. The beginning of the vid announces it’s “In association with Indian TV Nayan”, but all I can find about Indian TV Nayan is that they were, er, struck off the companies register in 2002. But I’m going to assume they provided the vintage footage to be chopped up for the Kiwi Eurohouse anthem of the new millennium.

There are scenes of groovy band playing in a groovy nightclub. A smiling go-go dancer – who has awesome hair – shakes her boobs, wiggles her bum and thrusts her crotch at the camera. And we see these bits over and over. It’s all very Austin Powers.

There’s also some action at an outdoor party, with elegant guests gathered around a pool. It turns out it’s a wedding. But this ain’t no high-drama “November Rain”-style nuptials. It’s a traditional Indian wedding, with all the colour and bling that brings. The bride and groom take their vows, then enjoy a dance together.

And that’s about it. The song is a lite, feelgood track and the video takes a similar path. It’s not trying to make any deep statements about Indian culture or weddings or the depiction of women in music videos. It reminds me of the sort of practice edits we used to do in film school. It’s just a bunch of visually interesting stuff cut together to accompany the song.

Best bit: the groom arriving on bedazzled horseback.

Ngā Taonga Sound & Vision