Missing videos from 1999

February 1999

Bailter Space “So Am I”

“So Am I” was Bailter Space’s final NZOA-funded video from the ’90s. They took a break and showed up again in 2012.

D-Faction “Take a Little Piece”

After having all their videos online, it’s sad that D-Faction’s final video, “Take a Little Piece” isn’t around. YouTube uploader slydogmania notes the group “disbanded in late 1997 before this final single was ever released”

Head Like a Hole “Hot Sexy Lusty”

Head Like A Hole have “Hot Sexy Lusty”, another single from their sex album, Are You Gonna Kiss It Or Shoot It? Guys, in googling for this video, I saw things I wish I hadn’t seen.

Mika “Angel”

Mika, last seen in Jan Hellriegel’s “Geraldine” video, has his own single “Taniwha Angel”. Here’s a live performance.

Director: Kerry Brown
Ngā Taonga Sound & Vision

April 1999

Brett Sawyer “When It Happens”

Brett Sawyer has the song “When It Happens”. I’m most interested to discover that he and Pearl Runga sang New Zealand’s official millennium anthem, “I’ll Meet You There”, written by sister Bic and James Hall.

Director: Jonathan King
Ngā Taonga Sound & Vision

Delta “Slather”

Delta! “Slather”! I saw them play a few times and I happily bought the “Slather” single. It was a fun burst of pop that should at least have enjoyed one-hit wonder success. But anyway, here’s Delta performing the song at a 2010 reunion show. Nice one.

Director: Garth Maxwell
Ngā Taonga Sound & Vision

Ma-V-Elle “Angel”

Girl group Ma-V-Elle had lost a member (but weren’t renamed V-Elle). “Angel” was the first single from their new album as a duo. Here’s a Tangata Pasifika profile of the group enjoying their early days of success.

Strong Islanders “Shining On”

Kiwihits notes that Jonah Lomu’s cousin is in “Strong Islanders”. Their song “Shining On” is ok, but their main MC has a somewhat lacklustre delivery.

Director: Joe Lonie
Nga Taonga Sound & Vision

June 1999

Ardijah “Do To You”

There’s no shortage of Ardijah videos from the ’80s, but the ’90s are AWOL, including “Do To You”.

Nga Taonga Sound & Vision

Ma-V-Elle “Never Say Goodbye”

Ominous foreshadowing! “Never Say Goodbye” was Ma-V-Elle’s penultimate funded video.

Ngā Taonga Sound & Vision

Trip To The Moon “Sexual Healing”

The final NZOA-funded video for Trip to the Moon is their cover of “Sexual Healing”, a duet by Bobbylon and the ethereally voiced Rachel Weatherly. NZ Herald reviewer Russell Baillie dramatically described it as having “all the charm of a lavish STD-treatment jingle”.

Ngā Taonga Sound & Vision

August 1999

3 The Hard Way “Front Back Side”

Well, I dunno. This song is on the list of videos that were completed, but I can’t find any sign of a 3 The Hard Way single called “Front Back Side”, or indeed any releases from this time. But there might have been some shuffling – there’s a 3 The Hard Way video for their 2004 single “Girls”. It’s set in the same sexy club world as “It’s On (Move to This”), only it’s so much cheesier.

Bike “Gaze”

Bike’s final NZOA-funded single is “Gaze”, which also appeared on the “Scarfies” soundtrack.

Brett Sawyer “Where We Wanna Be”

“Where We Wanna Be” is Brett Sawyer’s ode to his partner for sticking out a decade in Britain with him.

Fiona McDonald “Wish I Was a Man”

Fiona McDonald gets dirty and grungy with “Wish I Was A Man”.

Ngā Taonga Sound & Vision

Moizna “Summer Goodbye”

Moizna’s final NZ On Air-funded video is aptly titled “Summer Goodbye”, a sweet tale of a break-up.

Satellite Spies “Please Never Leave”

Satellite Spies apparently had a song called “Please Never Leave”, but it’s ungooglable.

TrueBliss “Freedom”

TrueBliss’s third single was a cover of the Wham song “Freedom”. I’ve found an 2001 Australian documentary about the “Popstars” phenomena that shows a short clip from “Freedom” at 8:01. It features the group dressed in red, white and blue costumes, performing on stage in front of thousands of screaming fans.

Ngā Taonga Sound & Vision

October 1999

DNE “Be There”

DNE was a “cyber collaboration” between Aly Cook and David Horizon – their name for the now commonplace practice of online collaboration. Their old bio at Amplifier promised a fabulous web experience with “CLUBDNE interactive”, and directed viewers to NZmusic.com to watch their video for “Be There”. Sadly all is but a cyber memory now.

Greg Johnson “Beautiful Storm”

Greg Johnson gets drench in meteorological metaphors with the upbeat “Beautiful Storm”. Nga Taonga describes the video as, “Greg Johnson tours an Asian city and sings “Beautiful Storm” to camera as the surroundings move rapidly around him.”

Director: Bernadine Lim
Ngā Taonga Sound & Vision

Ma-V-Elle “Don’t Be So Shy”

Ma-V-Elle have “Don’t Be So Shy”, described by the Kiwi Hit Disk as a “cool slice of original, soulful pop”. It’s the final Ma-V-Elle track funded by NZOA. The duo was to eventually disband, with Lavina ending up in the Australian Idol final 12 in 2006, among other achievements.

December 1999

Ardijah “Way Around You”

I’m pretty used to Ardijah videos not being online, and indeed “Way Around You” isn’t available. It’s a breezy house jam

Ngā Taonga Sound & Vision

Breathe “Sick & Tired”

“Sick & Tired” is another track from Breathe’s second album, the one that seemed really big at the time, but has now faded into history.

Fiona McDonald “Bury Me”

Described in a review I found on a vintage website as a “edgy, emotionally charged” song, “Bury Me” is another single from Fiona McDonald.

Ngā Taonga Sound & Vision

Garageland “Good Luck”

Garageland have the blusey “Good Luck”, another track off their second album “Do What You Want”.

The D4 “Come On!”

Another early track from The D4. “Come On!” is an typical piece of energetic rock. Here’s a fan video, setting the song to clips of rally cars sliding around corners.

Director: Alex Johnson
Ngā Taonga Sound & Vision

The Exponents “Big World Out Your Window”

“Big World Out Your Window” was the final Exponents track funded by NZOA. It was a single off their 1999 album “Hello, Love You, Goodbye”, a half-studio, half-live collection. There’s no sign of the “Window” vid, but I do know it was filmed on Mt Eden.

Director: Andrew Moore


Here’s a video from the world of non-NZOA funding. Director Marc Swadel made the “Crystal Chain” video for Flying Nun group The Subliminals for “300 bucks and one re-used 100 foot reel of 16mm film”. As a NZ On Screen commenter notes, 100ft of film is only two minutes, 45 seconds. The solution? “A lot of repeats, keying over footage with footage, and other lo fi tricks”. It’s a moody delight.

Director: Marc Swadel
Nga Taonga Sound & Vision

The Exponents “Change Your Mind”

1997-the-exponents-change-your-mindJordan Luck, MNZM, is subdued in this video. He usually slips into rockstar mode with such effortlessness that it seems like he’s having to consciously rein himself in.

“Change Your Mind” is a fairly ordinary video for this era. It’s very much influenced by Tarsem Singh’s era-defining video for REM’s song “Losing My Relgion”, complete with flash-cuts, focus-pulling and a subdued palette.

The video is set in a house full of objects, like a junk shop. In one cluttered room, we see a mysterious redhead woman who’s obviously the cause of the drama which fuels the song. The band perform the song in a corridor full of stuff. Not quite up there with Sweetwaters.

Jordan is very handsome in this video. He his shaggy locks have been tamed into a short, tidy haircut and the camera lingers on his strong jawline, but he’s still allowed a touch of the old extravagance with his open-neck silk shirt.

This song – and indeed this video – isn’t what the Exponents are remembered for, but I’m happy that this video exists as an artefact of the late ’90s

Best bit: the red-headed woman dramatically screws up a blank piece of paper.

Ngā Taonga Sound & Vision

Next… a detour.

The Exponents “Close”

1997-the-exponents-closeThe second track of the Exponents’ final studio album, “Close” is an uplifting love song, but the video takes an interesting approach. The video has a dark, blue-grey palette, going for a gloomy look in a bleak warehouse setting. It’s a styley look, but it seems at odds with the lyrics.

Occasionally song lyrics are shown spelled out in colourful magnets letters on the side of a fridge. And the fridge shows up again, with individual band members shown inside the fridge, lit with a cold, blue tones. Are they meant to be corpses, rocking out from beyond the grave? Or are they just, you know, chillin’.

Clocking in at five minutes, the song is about a minute too long, losing momentum along the way. It feels like the band were going for the epic songs Oasis were doing on “(What’s the Story) Morning Glory?”, but just ended up stretching out a shorter song.

Likewise, it feels like a video for a shorter song that’s been edited into a longer version. But then, maybe it’s a metaphor for life beyond the grave and/or love.

Best bit: Jordan’s sequinned top, a hint of glamour in a bleak world.

Director: Joe Lonie
Ngā Taonga Sound & Vision

Next… the dads’ day out.

The Exponents “One In A Lifetime”

1997-the-exponents-one-in-a-lifetimeJordan Luck takes to the mean streets of downtown Auckland for a solo promo. Starting from a stark inner-city apartment, he heads down to the vacinity of Albert Street, including a brief visit to the remains of dirty old Finance Plaza.

The Andrew Moore-directed video takes Jordan down to Queen Street, outside the picturesque facade of the old BNZ building, back to Albert Street for the lit-up trees outside the Stamford Plaza, down to the wharves for some pretty reflections, then finally up to K Road to be amongst the punks and Christians.

I appreciate this video more on a personal level. It was shot in the very first year I moved up to Auckland, when I spent a lot of time mooching around these very streets. I like that it exists as a record of Auckland in 1997, just one man and the city streets.

Best bit: the reminder that in the ’90s, sometimes downtown Auckland was really quiet and empty at night.

Director: Andrew Moore
Ngā Taonga Sound & Vision

Next… fear of the carnies.

Missing videos from 1996

February 1996

Dei Hamo “International Whirl Rocker”

After making his mark doing the guest rap on Nathan Haines’ “Lady J”, Dei Hamo went solo with International Whirl Rocker (or “Rocca”, as it is listed in the NZOA database. The song was due to be released on Papa Pacific Records, but the label folded before this could happen, with Phil Fuemana eventually including the track on the groundbreaking Pioneers of a Pacifikian Frontier album. Here’s Dei Hamo performing the song live on Mai Time.

Teina Benioni “Gone Fishing”

Teina was nicknamed “the bard of Otara”. He played all the instruments and sang all the vocals on his song “Gone Fishing”.

Ngā Taonga Sound & Vision

April 1996

Eye TV “Immaculate”

Another track from Eye TV. “Immaculate” was a return to a more electric sound for the group. Nga Taonga describe the video as, “Eye TV perform “Immaculate” in white room under flashing lights.”

Director: Sharron Ward
Ngā Taonga Sound & Vision

Moana and the Moahunters “Prophecies”

“Prophecies” was a track on Moana and the Moahunter’s second album, Tahi. It’s a gentle soul ballad, and Moana’s website says it touches “on more spiritual matters”. This looks like a case where the video was never made.

Splitter “What You Know”

Splitter had “What You Know”, described by the Herald as “XTC-meets-powerpop”. Nga Taonga describe the video as, “The Splitter singer sings “What You Know” strapped to a chair in an interrogation room.”

Director: Jonathan King
Ngā Taonga Sound & Vision

June 1996

Bike “Old & Blue”

Bike’s first single, “Save My Life”, is afforded digital immortality due to its inclusion on the Flying Nun “Very Short Films” compilation, but second single “Old and Blue” isn’t so lucky.

Director: Mark Tierney
Ngā Taonga Sound & Vision

Dam Native “Top Notch Vocalist”

The only mention of the Dam Native song “Top Notch Vocalist” is in the NZOA funding list. It seems like the sort of funding that might have ended up going to a different song.

Future Stupid “Greed”

Christchurch band Future Stupid were causing a ruckus with “Greed”. While the music video isn’t online, you can take your pick of 1997 live performances at the Summer Series, the Big Day Out or a DIY music video.

Lodger “Tell Me Have You Ever Seen Me”

Another song from Lodger, aka Damon from Dead Flowers’ side project. I assume that “Tell Me Have You Ever Seen Me” is a cover of the Small Faces song.

Second Child “Prove You Wrong”

“Prove You Wrong” is the sixth funded video from Second Child.

Director: Jonathan King
Ngā Taonga Sound & Vision

Splitter “Tremolo Panned”

Splitter was an Andrew Thorne project and “Tremolo Panned” was a nice piece of mid-’90s rock. But best of all, the Kiwi Hit List noted that the song features “Graham Brazier on electrified harmonica”.

Ngā Taonga Sound & Vision

The Exponents “Do You Feel In Love”

The Exponents said farewell to Warner Music with a final single, “Do You Feel In Love”. Nga Taonga’s description suggests the video is a classic style Greg Page animation: “A claymation Exponents perform “Do You Feel In Love”.”

Director: Greg Page
Ngā Taonga Sound & Vision

August 1996

Breathe “Smiley Hands”

Breathe debuted with “Smiley Hands”, giving just an inkling of the major label excitement they stirred only a few years later. The olden internet has revealed this short but amazing article about the Smiley Hands EP. Taken from a December 1996 issue of RipItUp, it’s the kind of music writing that’s so scarce in this digital age.

Ngā Taonga Sound & Vision

Igelese “Emotions”

“Emotions” was Igelese’s second funded video. There’s no sign of it ever having been made, which might be tied to the end of Igelese’s record label, Papa Pacific. But he went on to compose music for Lord of the Rings and Moana, so it turned out well.

Lole “Feel Like Making Love”

Lole covers “Feel Like Making Love”, that’s the safe Roberta Flack song, not Bad Company’s rock classic.

Director: Marc Swadel
Ngā Taonga Sound & Vision

Peaches “Go”

OMG, Peaches?! Wait, it’s not the Canadian performance artist, but a Debbie Harwood project. She got her musician mates to cover classic New Zealand pop. “Go” is project’s one original track, penned by Rikki Morris.

Seven a Side “Running Back to You”

Also from the Rockquest is Seven a Side, winner of the Tangata Pasifica Beats category. A funded video for “Running Back To You” was part of the prize package. The track also featured on Tangata Records’ compilation album Tribal Stomp II.

Ngā Taonga Sound & Vision

Supergroove “5th Wheel”

“5th Wheel” is an attempt at a sweet pop song, complete with flute, strings, and ah-ah-ahs. I believe vocals are by Joe Lonie, and the video involved him sitting on the back of a ute.

Ngā Taonga Sound & Vision

The 3Ds “Vector 27”

“Vector 27” was from The 3Ds final album, Strange News from the Angels. It was also the final 3Ds video to be funded. Nga Taonga enticingly describes the video as, “The 3Ds go for a drive in the countryside and encounter flying saucers and aliens.”

Ngā Taonga Sound & Vision

October 1996

Ardijah “Oh Baby”

After returning from five years in Australia, “Oh Baby” was Ardijah’s new single. The video isn’t online, but here’s a short clip of a live performance from the era. Nga Taonga describe the video as “Ardijah perform “Oh Baby” in cabaret setting.”

Ngā Taonga Sound & Vision

Bobby Owen “Falling”

The Kiwi Hit Disc described 18-year-old Bobby Owen’s single “Falling” as a “moody soulful ballad” that was recorded at Fuemana Studios.

Dam Native “Extremities”

Another cool track from Dam Native. “Extremities” was produced by Zane Lowe.

Greg Johnson “Softly On Me”

“Softly On Me” featured Boh Runga and was produced by Dave Dobbyn. Jonathan King directed the video, filmed at a Tongan church in Auckland.

Director: Jonathan King
Ngā Taonga Sound & Vision

Mary “Golden Halo”

Mary was an all-girl band, and they were a very all-girl band. Check out this profile in the Herald – about half the article is about aspects of their all-girl-bandliness. Their sweet, girly song “Golden Halo” was the first of many funded videos. I’ve heard from a performer in the video who says she wore a halo, naturally enough.

Stellar “Real”

It’s cool seeing signs of Stellar’s early work, putting in the hard yards before they were snapped up by Sony and became pop icons. “Real” was another early single.

December 1996

Ardijah “Bad Buzz”

More Polyfonk from Ardijah, this time with “Bad Buzz”, a Bob Marley tribute. Nga Taonga describes the video as “Ardijah sing “Bad Buzz” walking through sideshows / amusement park.”

Director: Neil Cervin
Ngā Taonga Sound & Vision

Brothers & Sisters “Parihaka”

Like both Tim Finn and Jacqui Keelan Davey, the young Maori band Brothers & Sisters pay tribute to the pacifist Te Whiti with their song “Parihaka”. The track featured on the Tangata Records compilation album Tribal Stomp II.

DLT “Black Panthers”

The instrumental “Black Panthers” was the second single off DLT’s album “The True School”.

Fat Mannequin “That Matters”

Fat Mannequin deliver “That Matters”, a very ’90s rock ballad.

In The Whare “Sister Dread”

According to NZOA, In The Whare’s music was a mix of reggae, hip hop, funk and metal. Their song “Sister Dread” also featured on Tribal Stomp II.

Ngā Taonga Sound & Vision

The Exponents “La La Lulu”

The influence of Quentin Tarantino slowly works its way into the mid-’90s. The last time we saw Jordan and the lads they were relaxing on a beach. This time around, they’re all Reservoir Dogged up in fancy suits.

The action initially takes place in a small steel room. The walls are made of non-slip steel plates but the floor is smooth. It’s a health and safety disaster just waiting to happen.

Occasionally the image freezes in black and white, and a tabloid-style headline flashes up – “criminal sex appeal”, “online erotic” and the titular Lulu. Is this an attempt to brainwash an entire generation who will forever associate “online erotic” with an image of Jordan Luck, and thereby ruining internet porn forever?

Next the action moves to an old quarry with the lads going for a hoon in an old car. They then get out and graffiti the car, but it’s very awkward graffiti. Here’s the thing – the idea of graffiti in a music video seems quite cool, but in the hands of a non-artist, it just ends up looking like the stuff Telecom workers do on the footpath before digging it up.

The car is then smashed up, but it’s good to see the Exponents are wearing protective eyewear as they do it. But because the health and safety compliant graffiting and smashing is a bit lacklustre, the car is finally blown up. Mr Tarantino would have done it better.

Best bit: “Online erotic”, a niche activity in the mid-’90s.

Director: Mark Tierney
Ngā Taonga Sound & Vision

Next… getting out of bed.

The Exponents “Summer You Never Meant”

1995-exponents-summer-you-never-meantJordan and the boys head down to the beach for some proto-Jack Johnson surf pop. Jordan, whose hair in this video resembles mine when I don’t straighten it, sings the song sitting on a shady beachfront porch, occasionally joined by the other Exponents. They seem to just drift in when they feel like it. But it’s just as well they do, as there are plenty of guitars that need to be strummed.

This is cut with black and white footage of the band down on the beach, distant shots of surfers riding the waves, dogs on going mental on the beach, and kids running around – all the signs of the classic Kiwi summer.

But whenever we see the band, they’re dressed in long trousers and long sleeves. This, combined with all the surfers wearing wetsuits, suggests that this very summery video was shot on a cold winter’s day. Is it a cheap attempt at a summer setting? Or maybe this sneaky seasonal set dressing is a way of creating a “summer you never meant”?

Best bit: Lion Rock reflected in the glassy water of Piha beach.

NB: Warners NZ used to host this video but the video has been since made private. However, another version of it is on YouTube but it’s been geoblocked to New Zealand (and Germany). Here’s the geoblocked version. Ask your auntie how to watch it.

Ngā Taonga Sound & Vision

Next… loud, quiet, loud.

The Exponents “Like She Said”

1994-exponents-like-she-saidThe pre-renovation Parnell Baths, empty for winter, are the location for the Exponents. Jordan and the lads play the lament of lost love amid the stagnant fountain and the waterless waterslide.

But they are not alone! Because this is a music video, they are being watched by a mysterious woman with a dalmatian dog. She is wearing a matching dalmation-spot coat, so perhaps she’s a young Cruella de Vil (no wonder Jordan’s heart is broken).

Also lounging by the side of the pool are an elderly couple. The woman has a transistor radio, and the man seems very comfortable with his body as he dances in his shorts, his saggy old-man boobs jiggling with great vigour. The woman seems to enjoy this.

“Like She Said” is very much a music video, but it’s good to see the poolside antics happening in a recognisible Auckland landmark.

Best bit: the old couple’s tussle over the radio.

Directors: Mark Tierney, Paul Casserly
Ngā Taonga Sound & Vision

Next… Fiona and the boys go for a hoon.

The Exponents “House of Love”

“House of Love” is one of those Exponents songs that doesn’t get sing-shouted at rugby games. Tracking the demise of a relationship, where Jordan both walks in and walks out of the house of love, the video shows the Exponents playing the song in a doll’s house.

Actually, that makes it sound much cooler than it actually is, like some special effects have made it look like the Exponents are actually playing in the tiny rooms of a doll’s house. Actually, it’s just footage of the band superimposed over the front of a doll’s house. And it’s raining on the doll’s house and there’s some sort of straw strewn about in front of it. What a depressing house. No wonder Jordan’s leaving it.

The band are performing the song under colourful lights, and with window shapes projected behind them. Sometimes the band are wearing carnival masks, and sometimes Jordan takes his shirt off. I’m going to blame the Red Hot Chili Peppers for the rash of shirtlessness that started happening in music videos of the early ’90s.

Best bit: the tiny painting inside the doll’s house.

Ngā Taonga Sound & Vision

Next… casual shorts.

The Exponents “Sink Like a Stone”

After trying to make it big overseas, the Dance Exponents had returned to New Zealand, rebranded as just The Exponents and released their new single “Why Does Love Do This To Me”, which promptly tore up the charts to number three and provided a rugby singalong anthem for many years to come.

Their follow-single, “Sink Like a Stone”, a Beatles-esque pop track, didn’t quite have the same chart heat. In fact, you could say it sank like a stone. Shut up.

The video is your basic green-screen set-up, only with an outdoors twist. The band performs the song in various outdoor locations, filmed in black and white, with cRaZy colourful graphics of the urban landscape swirling behind them.

The song lyrics talk of New York and the adventure of travel. Perhaps the exotic locations green-screened in behind the band are a way of bringing some big metropolitan groove on a budget. $5000 can only go so far.

Best bit: Jordan takes his hat off and has bad hat hair.

Director: Kerry Brown
Ngā Taonga Sound & Vision

Next… the circus come to town.