Found videos from 1996

Loads of found videos from 1996, featuring cameo appearances from three bright young actors, Stella as a grunge band, double Annie Crummer and Strawpeople, and some political pop.

Continue reading Found videos from 1996

Joint Force “Burntime”

1995-joint-force-burntimeMC OJ, Rhythm Slave and DLT return with the dub-influenced “Burntime”. Rather than the ambitiously cinematic “Static” video, “Burntime” keeps it much simpler with basic hip hop culture.

The video Ross Cunningham-directed video focuses on graffiti and breaking, letting Joint Force’s MCing and DJing take a back seat. And there’s graffiti art galore, with Otis and Mark rapping in front of giant murals, no green screen required.

Vinyl offcuts are laid down on the studio floor for some B-boy moves from the Megazoid crew. You know, there’s something very pleasing about seeing some classic breakdance moves.

There’s also good timelapse photography of a giant piece being painted by OJ, DLT and DT (aka Dan Tippett). A mural of scenic New Zealand is covered up with a new work proclaiming “BURN TIME”. It’s all very symbolic, with the great outdoors covered up with some fresh urban style.

The whole video serves as a valentine to New Zealand hip hop culture without forcing it like Scribe’s “Stand Up”. Here were a bunch of guys doing what they did and doing it well. And it worked – they’re still all part of New Zealand hip hop culture today.

Best bit: the headspin.

Director: Ross Cunningham
Ngā Taonga Sound & Vision

Teremoana “Four Women”

1995-teremoana-four-womenTeremoana covers Nina Simone’s “Four Women”. Unlike the original, Teremoana omits the final lines of each verse which would name the woman being sung about. Instead of the song closing with the killer line “My name is Peaches!”, it meanders off with Teremoana murmuring “What do they call me?”

Teremoana’s vocals are laiden with trilling, which has the strange effect of making the lyrics hard to understand in places, as if she’s trying to disguise the fact that it’s actually quite an angry, political song.

The video sees Teremoana dressing as the four women. There’s Aunt Sarah with big hair and a floral dress, Saffronia with smooth hair and a stylish waistcoat, Sweet Thing with a 1960s updo, and tomboy Peaches with her hair in Bjork-style mini buns. All four women have long, talonous fingernails.

It’s filmed in black and white in a stylish cabaret setting with dramatic lighting. Teremoana performs with four quite distinct characters – Aunt Sarah is stressed and shy, Saffronia is confident, Sweet Thing is seductive, and Peaches is bold and twitchy.

The YouTube uploader notes that the song suffered from lack of radio airplay due to its lyrical themes, but says, “Thank goodness a dope ass music video was created which gave it longer television air play.” And indeed the dope assness continues online.

Best bit: Teremoana’s loooong fingernails.

Director: Ross Cunningham
Ngā Taonga Sound & Vision

Next… a dirty old game of cards.