Coelacanth return with “Never”. The Kiwi Hit Disc likened this song to Bailter Space and quoted Tearaway magazine enthusing, “Their music is to die for. We like them very much.”
Lole “Take You Higher”
Another track from Lole. This time she has “Take You Higher”.
Salmonella Dub “Loletta”
Back before Salmonella Dub were the kings of barbecue reggae, they had “Loletta”, an askew jazzy number. From memory, the video was a studio-based black and white job. Nga Taonga describe the video as, “The band perform in monochrome while the subject of song is in colour in backstreets”.
The Kiwi Hit Disc noted that “Colour Me Blue” was a “heartfelt ode” to Barry’s “globetrotting son”. Nga Taonga describes the video as, “Barry walking on rural road as cyclist passes. Cyclist seen in various rural locations interspersed with Barry singing in one room then another.”
“Started Something” is another video from the early days of Breathe. The track has an epic film montage sound to it. The Film Archive describes the video as, “Band perform in leaking warehouse/ garage.”
“Outer Space” is an upbeat pop-track, produced by Eddie Rayner. The Split Enz connection continues, with Bryan Bell saying that the song was “‘Loving The Alien‘ meets ‘Poor Boy‘”.
Michelle Rounds “Culture Cross”
Singer Michelle Rounds had the song “Culture Cross”.
Southside of Bombay “Say”
“Say” was produced by Ian Morris (who had previously produced “What the Time Mr Wolf”). The Kiwi Hit Disc quoted band member Kevin Hodges saying that the love song, “just felt like a good summer single”.
“All Alone” was the second of Freaker’s two funded videos. An album was planned but it didn’t get released due to the closure of record label Deepgrooves, so it’s likely this meant the “All Alone” video wasn’t made either.
New Loungehead “Ike Just Do It”
New Loungehead subvert a corporate slogan with “Ike Just Do It”, from their album Came a Weird Way. New Loungehead were another act signed to Deepgrooves.
Vocal trio Ma-V-Elle were back with “Love Is”, the soulful closing track from their debut album.
Girl band Mary have the track “Bigger”. Nga Taonga offers this rather comprehensive description of the video: “A woman sits at night in a green corner diner/coffee bar with large windows (which recalls the Edward Hopper painting “Nighthawks at the Diner”). A car approaches with the guitarist in the back seat. Mary perform “Bigger” on a TV screen in the diner. The car stops for the singer/ guitarist.”
Wellington trio NV have “Don’t Make Me Wait”, described by the Herald as having a “bitter brand of bubblegum”. Nga Taonga describes the video as “Woman sings on roadside with warehouse, pedestrians and traffic – and later rioters – behind her.”
Named after the last Dutch governor of New York and/or an international cigarette brand, the Peter Stuyvesant Hitlist were known for their entertaining loungey grooves. Nga Taonga describes the video as, “Four office workers in a pub sing karaoke to the Peter Stuyvesant Hit List’s “Superkool”. The Peter Stuyvesant Hit List are seen performing on the karaoke screen.” Ah, the old “music video as karaoke track” treatment.
“Big Cat” was the penultimate video that Bailter Space had funded in the ’90s, before returning with “World We Share” in 2012.
Leza Corban “Comfort & Joy”
Debbie Harwood put her coordination skills to good use with the album “Angels”, featuring New Zealand singers (Hammond Gamble, Rikki Morris, Mika) and TV personalities (Willy de Witt, Leanne Malcolm and Nick-bloody-Eynon) covering classic Christmas songs. Leza Corban, who had previously sung with Strawpeople, had the first single “Comfort & Joy”.
Brett Sawyer “She Came Along”
The video for Brett Sawyer’s song “She Came Along” was filmed at St Leo’s school hall in Devonport.
Eye TV have the comedically named “The Doo Song”. The Kiwihits entry notes it was rerecorded and released in 2000, and the database note that the funding was changed to the “Doo Song” from their song “Ditch Witch”.
“Classy come-down band” NV have the single “Unlikely”, which was a nominee for Best Video in the 1999 New Zealand Music Awards. Nga Taonga describes the videos as, “Singer in Queensland lakes setting and on jetty”, by which I think they mean Queenstown.
Paua Fritters are (were? I think they’re still together) an acoustic folk-pop group with busking roots. “Her Story” was a finalist in the 1998 APRA Silver Scroll awards.
“Kronos” is another track from Deepgrooves artist Pause.
In the world of non-NZOA-funded videos, 1998 saw Neil Finn contending with a 50-foot woman in the video for “She Will Have Her Way”. Neil is expertly integrated with footage from films “Attack of the 50 Foot Woman” and “The 30 Foot Bride of Candy Rock”, making him the beau of the towering heroine, a height pairing reminiscent of the golden days of Rod Stewart and Rachel Hunter.
“Too many people come and they go”, sings Maree, and the video sets about showing this exact situation. “Strength To Love” is set in a motel, where we meet an variety of diverse guests.
In fact, the motel is doing pretty well, with 16 guests. There’s an attractive but very timid young couple, a very still Asian couple, loved-up newlyweds, a older married couple, a miserable tennis player, a crossdressing codger, a party girl and her friends, a aloha shirt wearing man and his glamorous ladyfriend, a businessman, a naked lady, a bad girl, a shaved/dreadlocked woman with a dog, a trio of leather-clad lesbians, three children, an elegant old lady, a revved-up gay couple, and three cleaning ladies. That’s 4.8 litres of milk – trim or regular.
But despite staying at this bustling motel, no one seems particularly happy. It doesn’t look like a particularly nice motel. It’s just a bit run down and under decorated. And who would spend their honeymoon at such a place? (Answer: a couple who is too busy rooting to notice the decor.)
The Strawpeople’s “Taller Than God” video used a similar concept, but it worked better. I’m guessing the Strawpeople had a bigger budget, and that video had some context for the motel and kept the number of guests much smaller. There was a sense that all the characters had a story.
Whereas with the Strength To Love Motor Inn, it’s just a big collection of people who seem to be deeply troubled by relationship problems. As a result it doesn’t serve the song well, overpowering Maree’s subdued vocals but never quite being interesting enough to work on its own. I’m guessing there’s a low budget here
Because it’s the 1997, Loves Ugly Children get cinematic in the form of a fake trailer for an exploitation flick also named “Voodoo Girl”. Directed by Peter Bannan, the video opens with a warning – “the film this trailer advertises contains adult concepts”. What, like getting a mortgage or caring foran aging parent? No, like a scantily-clad young woman suggestively playing with a model aeroplane.
We meet plane woman and a man who gaze at aeroplanes and end up together in a wood-panelled room. He slowly puts his hand on her bare stomach. They then retire to their individual rooms where there’s a bit of carry-on involving the model plane and some hand-down-pants action.
How about getting out of the bedroom? Ah yes, the man walks around meaningfully and plane girl runs through a post office box lobby and discovers a gun in her box. Well, I guess if it had a stamp on it, NZ Post would deliver it.
Gun in bag, plane girl goes to a diner and makes a glass move through telekensis. If she could do that, why would she need a gun? Couldn’t she just make bullets fly into people? Then it all gets a bit hectic. There’s blood, water, meaningful gazes and bullets galore.
As far as fake trailers go, this doesn’t quite make me want to see the fake film, but yet as a real music video from 1997, it’s moody and stylish enough to satisfy me.
Best bit: the visual power of the bright red post office box lobby.