June 2008: Anika Moa, Anna Coddington, Autozamm, Brain Slaves, Clap Clap Riot

Pashfest ’08, a favourite T, the invisible train pole, the lonely speaker, and the shadowy shadows .
Continue reading June 2008: Anika Moa, Anna Coddington, Autozamm, Brain Slaves, Clap Clap Riot

December 2006: Misfits of Science, Mr Boinkin and the Kurnel MC, Pete Fountain, PNC, Sarah Brown, Stylus

The Misfits get touchy, swingin’ in suits, playing with Lego, 20th century dress-ups, a last supper, and a red dinosaur.
Continue reading December 2006: Misfits of Science, Mr Boinkin and the Kurnel MC, Pete Fountain, PNC, Sarah Brown, Stylus

August 2005: Pluto, Recloose, Sarah Brown, Sola Rosa, Steriogram, The Checks, The Phoenix Foundation, The Rabble, Tyree

Racing car action, flaming flames, a marionette, animated bands, extreme close-ups, and some punks.
Continue reading August 2005: Pluto, Recloose, Sarah Brown, Sola Rosa, Steriogram, The Checks, The Phoenix Foundation, The Rabble, Tyree

Pluto “Dance Stamina”

2003-pluto-dance-staminaHere’s Pluto sounding very cool, with hints of the Stone Roses and early U2. Far removed from the comedy world of “Bananas in the Mist”, “Dance Stamina” gets very moody and sexy. Oh yeah.

The video opens with Pluto silhouetted in red light against a screen. When we meet the band, they’re bathed in red and blue lights, with lead singer Milan looking all hot and bothered. Also – fabulous cheekbones.

The video is directed by Kezia Barnett, who has previously proven her talent for using quality choreography in music video with “Buck It Up” and “Cement” for Goodshirt. But rather than the extravagant formation styles of the Goodshirt videos, “Dance Stamina” just uses one dancer, who is dressed very similarly to the disco goth vamps of “Cement”. Only this time there’s no ironing board. She dances in a separate space to the band. Are they even aware of her existence?

As the band are playing it so very straight and so cool, the dancer – with her black wig, pale make up and bloody mouth – is a lively contrast. But how much dance stamina does the dancer have? Three and a half minutes into the video, she collapses, but then rises again in silhouette form.

What if she’s an immortal vampire who can dance for a long time? Things would have been good with the dance marathons on the 1930s, but it’s slim pickings in the 2000s when indie bands would only record songs that are a measly four minutes long.

“Dance Stamina” doesn’t seem like it had the larger budget of Goodshirt’s videos, but the simple set, dramatic lighting, fab performances from the band, and of course the dancer all come together to make something very slick.

This video was a finalist at both the Kodak Music Clip Awards and the Juice TV Music Awards.

Best bit: the dancer’s layers and layers of faux pearl necklaces.

Director: Kezia Barnett
Ngā Taonga Sound & Vision

Next… Sydney skate.

Goodshirt “Cement”

2003-goodshirt-cementKezia Barnett, the director of Goodshirt’s previous video “Buck It Up”, is back for another adventure inside her gothic world of dance.

Like “Buck It Up”, the “Cement” video is set inside an eerie old building – this time it’s a spooky looking house on a moonlit night. The band are playing outside the house which comes to the attention of a Rapunzel-like resident, who flips down her long blonde braid for singer Gareth to climb.

They curl up in bed together, but then Rapunzel mysteriously vanishes, leaving Gareth alone in the bedroom to face five dancing 1940s housewives who menacingly iron a tea towel with his face printed on it. And just to make things odder for poor Gareth, the women then begin to dance with their ironing boards, and then turn into 1980s disco goth vamps. Chaos ensues.

While all this is going on, the rest of the band are still playing away, chipping in backing vocals. But we only see them via a photo on the wall of the house, suggesting they’ve been magically transported inside the photo.

I’m slightly confused by the video’s ending. Gareth finds a dark-haired woman drowning in a bath and rescues her. Is she the Rapunzel lady with her blonde utility wig removed? Well, whoever she is, she’s the girl of Gareth’s dreams. They embrace, and we discover the rest of the band frozen in the framed photo.

I like the style of this video. It’s a lot more ambitious than your typical New Zealand music video. It’s always good to see dancing in a music video – especially when it’s not done as a parody of dancing in music videos. This video almost inspires me to drag out my ironing board and rhythmically flail about with it.

Best bit: the fierce dance of the irons.

Director: Kezia Barnett
Ngā Taonga Sound & Vision

Next… the chook look.

Goodshirt “Buck it Up”

2003-goodshirt-buck-it-upWith “Buck it Up”, Goodshirt ended its previous collaborations with director Joe Lonie. They went in a different direction with new director Kezia Barnett, an old art school pal of Rodney Goodshirt.

And it’s very different from the five one-shot-wonder videos the band made with Lonie. “Buck it Up” is more grown up, more sexy and it has lots of actual proper choreography – something I’ve been hanging out to see in a NZOA music video for so long. And it is fearless with edits.

The video is set in a school, where an impossibly handsome young student is troubled by strange visions. His strict teacher becomes a saucy temptress (played by one of the other people who did the artists dole course with me in 2003!) – and it’s done with a lot more style than Van Halen’s “Hot For Teacher”. The student sees a butterfly with the face of a cute girl. He’s beaten up by bullies who transform into wolves. And then there are cheerleaders wearing masks of the Goodshirt members.

This menagerie of madness comes together for a final chaotic dance scene, then the student comes to, finding the butterfly girl (in human form) there for him in real life.

The band don’t directly feature a lot in the video. They make a few cameos, but are largely absent (they are shy). But this means the story has been given over to the casts of pros, the ones who can do the high kicks and shimmies.

It works having lots of dancing in the video. The song is upbeat and highly danceable, so it seems almost like a no-brainer that you’d work with the rhythm and get people moving.

Best bit: the cheerleaders putting on their Goodshirt masks, piece by piece.

Director: Kezia Barnett
Ngā Taonga Sound & Vision

Next… a walk along the beach.