Missing videos from 2001

February 2001

Augustino “Overblown”

According to an Augustino fan forum from 2001, “Overblown” was a radio-only release for Augustino. The forum is amazing. It’s so full of energy and enthusiasm for this cool band everyone loves, there’s bonding and hugs when September 11 happens, then the forum regulars suddenly peter out just as the band release their debut album. And if a band’s fan base can’t stick around, there’s not much hope for the band.

BJ White “Uptown”

The only thing I can find out about “Uptown” by BJ White is that it was included on a sampler CD from Festival Mushroom Records, in between tracks from Lash and Kylie.

Canvas “Tina”

Canvas were an enthusiastic trio of young men from Wellington by way of Christchurch. “Tina” was a good pop track and the video got decent airplay on music video shows.

Ngā Taonga Sound & Vision

Flipside “Movin'”

So, an artist called Flipside received funding for a track called “Movin'”. It’s almost impossible to google (and it doesn’t help that there are two other artists called Flipside with tracks that involve “Movin'” in the title) so I can’t find anything on this track.

Nurture “Beautiful”

Nurture was a poptastic collaboration between Deep Obsession producer Christopher Banks and singer Phil Madsen. “Beautiful” was their first single and it reached #13 in the charts.

Sumix “Jump House”

Sumix was a hip hip duo consisting of friends Craig Mckenzie and Aidan Richards. Their single “Jump House” is an upbeat number with a insanely cheerful chorus that instantly reveals Craig’s roots in Christian pop. (Seriously, it has such a Christian chorus). The video was involved the duo going down the slides at Wairewa hot pools. The video evidently made so little impact that director Joe Lonie could safely later recycle the video concept Falter’s “Falling to Pieces” video in 2003.

Director: Joe Lonie

April 2001

Dam Native “Terminal Illness”

Last seen in 1997, Dam Native returned with the boisterous “Terminal Illness” (which eventually showed up on their 2010 album “Aotearoa Nobody Does It Better”). Here’s the band playing the song live in Wellington.

Jester “Eyes For Xmas”

It sounds like the name of a yuletide horror film, but Jester‘s “Eyes 4 Xmas” is actually a sweet guitar-pop tune. The video seems to have taken inspiration from Popstars. Nga Taonga describes it as “An amusing take on a reality TV talent show. We are privy to auditions for the band (“day 12″), recording the single, shooting the video, creating an image and – Jester’s first show.”

Ngā Taonga Sound & Vision

Pierced “Painted Angels”

All I’ve been able to find out about Pierced is that they toured with Loki in 2003. “Painted Angels” was their only NZ On Air funding.

Pine “Speeding”

Pine are a three-piece pop band who specialise in melodic charm. Nga Taonga describe it as “Pine play with a Scaletrix slot-car racing set.” “Speeding” isn’t online, but here’s an in-studio performance from the late night music programme “Space”.

Ngā Taonga Sound & Vision

Sheelahroc “If I Gave U Th’ Mic”

Sheelahroc were an all-girl hip hop trio from Christchurch, comprising of Ladi6, Voodoo Child and Tyra Hammond, a powerhouse of talent. The cool and cautionary “If I Gave You Th’ Mic” was their only NZ On Air funded video. My vague memory of it was an overhead shot of Ladi6 in a space like the train station foyer. The video needs to be online!

June 2001

Canvas “Sunday”

Canvas had their second funded video “Sunday”. From memory, it was the band playing the song in a house, going for a lazy-Sunday vibe.

Carmen Steele “Believe In Me”

Kiwihits noted that Carmen Steele‘s song “Believe In Me” was a “reaction to media coverage of the tragic incidence of child abuse in New Zealand” and that the production make it “one of the year’s most evocative songs”. It was Carmen’s only NZOA funding.

Garageland “Highway”

Garageland‘s “Highway” is a cheerful ode to road-tripping, and other pleasures. Nga Taonga describe the video as, “Footage from the road – including the Capitol Records – and on stage on a US tour by Garageland.”

Ngā Taonga Sound & Vision

GST “Put Up A Fight”

GST, the early incarnation of Opshop, have the song “Put Up A Fight”. Most significantly, it was the making of this video that inspired Jason Kerrison to build his apocalypse shelter. As Jason told Salient, the video was filmed at his landlord’s “monolithic dome structure”, which inspired him to build his own.

PA Styles “Summer Breeze”

PA Styles were twins Naomi and Sharlene Sadlier. “Crowds are drawn to P.A Styles like moths to a flame,” claimed a Southgate Entertainment press release, creating an image of crowds of people madly running around PA Styles. “Summer Breeze” was their only funded video.

Director: Rongotai Lomas

Purrr “Oxygen”

Purrr‘s final funded video was “Oxygen”, but I’m not entirely sure if a video was actually made. Oh well, it was nice knowing you, three-piece girlband.

August 2001

D-Super “The Moths”

D-Super go for a janglier, poppier sound for “The Moths”. It was their third and final NZ On Air-funded music video.

Meno Panteboy “Any Kinda Weather”

Meno Panteboy were an Auckland group made up of musicians who’d previously worked with artists such as Che Fu, Greg Johnson, Nathan Haines and John Rowles. “Any Kinda Weather” was a bFM hit. (In case you’re wondering, panteboy is the Greek transliteration of rendezvous and is another name for a coffee house.)

Slim “Crumbling”

Slim have their final NZOA-funded video “Crumbling”, an upbeat song about someone who is struggling with drink and drugs.

Ngā Taonga Sound & Vision

October 2001

Aaria “Cry No More”

I’m disappointed that Aaria‘s “Cry No More” video isn’t online. The slick bilingual pop vocal group had a top 10 hit with this single, but it was to be their last. From memory, the video had a similar vibe to the Spice Girls’ “2 Become 1” – all city-at-night cool.

The Relaxomatic Project “At The Onset”

There’s no sign of the final video “At the Onset” from Auckland groovsters the Relaxomatic Project.

December 2001

Garageland “Crazy”

I’m not sure if Garageland actually made a video for “Crazy”, but it’s worth celebrating as it was their last lot of video funding. They had a total of 15 videos funded over seven years, which is an impressive rate. From the low-budget fun of the early years to the more sophisticated vids of later years, Garageland made good use of the medium of music video.

Lavina Williams “So I Cry”

The “V” in Ma-V-Elle, Lavina Williams went solo with “So I Cry”. In 2006 Lavina made it to the final 12 of Australian Idol, following younger sister Emily who placed second in the 2005 series.

Ngā Taonga Sound & Vision

Michelle Kazor “In This Life”

According to the bio on Amplifier, Michelle Kazor‘s debut single “In This Life” was the “highest charting song from an unsigned act ever on radio” – but that’s referring to a radio plays chart, not the singles chart. I’m not totally sure if this video ended up having NZ On Air funding, but it’s in the Nga Taonga archive, nonetheless.

Nga Taonga Sound & Vision

Instead

There were two non-funded videos that made a significant impact in 2001. One was the Deceptikonz‘s “Fallen Angels”, the other was Blindspott‘s debut “Nil By Mouth”. It was self-funded and made with a budget of a mere $800. With a solid song behind it and a great scream-along chorus, it proved a popular hit and won Breakthrough Video Artist at the Juice TV awards and launched Blindspott as alternative metal heroes. (There’s a slightly-higher-budget alternative version, but it’s not as much fun as the original.)

D-Super “16 Songs”

2001-d-super-16-songsWellington purveyors of surf punk D-Super move from the suburban minefield of “We Ride Tonight” into a strange world of plus signs and aggro.

The band are playing in a studio gridded out with plus signs, like a grid for added CGI animation over the top. It’s like a lofi version of the video for Tom Jones and the Cardigan’s 1999 cover of “Burning Down the House”. Only instead of having slick CGI figures dancing with the band, they give each other the bash.

As the song starts, the band seem to tense. It’s like a group whose spent 18 months on the road and everyone is thoroughly sick of everyone else, held together only by a contractually mandated appearance. Something’s got to give.

There’s shoving, evil stares and simmering tension before it suddenly erupts. The guitarist and bass player lay into each other. The drummer joins in the aggro, seeming both like he’s trying to break it up and join in. The keyboard player finally jumps on top of everyone. What a disaster.

But the show must go on. The band return to their instruments and continue the song, playing with bruised and bloody faces.

I was going to say I was sure the violence was all done for the video, but there were glorious stories about fisticuffs within Luke the keyboard player’s other band, Paselode. I’m sure there’s also a metaphor in here about the sacrifice needed to survive in the world of rock; you get bashed up but you keep on playing.

Best bit: the drummer’s dramatic final hit of the drums when he gives up and joins in the brawl.

Ngā Taonga Sound & Vision

Next… the horse of freedom.

D-Super “We Ride Tonight”

2000-d-super-we-ride-tonightI don’t think this video actually had NZ On Air funding, but it was on the list at one stage. There are no NZOA logos on the video and it looks cheap as, so I’d guess the funding didn’t end up happening. But I’m going to include it because it’s a good example of life outside the world of funded videos.

So yeah, it looks cheap, probably shot on a home video camera. The video opens with one of two impressive shots in the video. It’s a panorama of gloriously bland suburban Wellington, but things get wobbly after that. The camera zooms in on a new house (probably of the leaky-home vintage), and we cut to the interior of what is obviously a much older house.

In this old villa, we see the band getting out of bed, getting ready for the day. Or the night, given the song title. Outside the lawn is tidied up, with a nice daisy decapitated with some weed eater action.

All the shots have weird cropping, with missing heads and unusual close-ups. But I’m willing to consider that this might have been something that happened while getting the video online. On the other hand, it does fit the general aesthetic of the video.

We also see the band performing inside the nice living room of the house. And they’re smoking indoors, which is just gross. The thing is, it’s a really good song, a sneery rock number. It should have had a much better video.

The video ends with the second good shot – a bicycle-riding band member stands in front of the Greek Orthodox Church on Hania Street and stares at it as ominous black clouds roll behind it. Let’s pretend it’s all highly symbolic.

Best bit: the two dudes on the deck, chuckling at the senseless daisy slaughter.

Ngā Taonga Sound & Vision

Next… rattle ya dags.