Dimmer “Evolution”

1999-dimmer-evolutionFinally, Shayne Carter has figured out how to use ProTools and has turned Dimmer into a fully fledged musical project, if not a band. The video takes its inspiration from Elvis’ ’68 Comeback Special. There’s a black background with red light spelling out DIMMER and Mr Carter wears a white suit with a brilliant crimson tie.

But Shayne is not alone. The video starts with a boy version of Shayne, later coming a teen Shayne, and later Shayne as an old man (played by his dad). It’s a bit like the end of “2001: A Space Odyssey” – a film about evolution – where astronaut Dave ends up in the weird white room and keeps seeing and becoming as older versions of himself.

So does this mean Shayne is going to evolve into a star child (or even more alarmingly, a Star Boy)? Nah, the video ends with Shayne shuffling off into the blackness, like he’s retiring back into his den to make some more tunes.

It’s a very simple video but is perfectly lit and has great performances from all the Shaynes. While there’s a lot of technical skill behind this video (directed by Darryl Ward), it’s a reminder that videos don’t need to be fancy and epic, that a single location with a great performance can work just as well.

Best bit: the swagger of youngest Shayne.



Directors: Darryl Ward, Shayne Carter
Ngā Taonga Sound & Vision

Next… keep on truckin’.

Dimmer “Don’t Make Me Buy out your Silence”

1996-dimmer-dont-make-meThis was a very early version of Dimmer, back when Shayne Carter was really still figuring out what form his new project was going to take. It was another two years before Dimmer really kicked off with the much slicker “Evolution”. This early track feels a lot less polished, almost like a demo.

Shayne Carter plays a man on a mission, purposefully striding around downtown Auckland at night, clutching a leather briefcase. He even walks past the White Lady food truck and gives it a good stare, because you never know what’s lurking in those cheeseburgers.

Directed by Steve Morrison, it’s a very moody video and it seems to be another one influenced by that Tarantino cool. Just watch the interaction between Shayne and the taxi driver who does not approve of his cigarette smoking.

The YouTube comments suggest there may be other footage, with commenter Devilscucumber asking, “Is this the censored version? I feel we are missing a homicide somewhere…” Well, perhaps it’s better to have the menace implied rather than shown.

The taxi takes Shayne to a late-night cafe. Given his earlier visit to the White Lady, perhaps that’s all he was after – some good late-night kai. I bet that cafe does good nachos.

Best bit: the White Lady, good for late-night burgers.

Ngā Taonga Sound & Vision