So, this is interesting: the video for “Here It Comes Again” was shot at exactly the same time and place as Amber Claire’s previous video, “At Seventeen”.
There’s Amber Claire wearing the same silky gown, her hair twisted up in the same style. She’s surrounded by the same backing band, including the Clayton Weatherston lookalike, and they’re all performing in front of velvet curtains with three chandeliers hanging down. A lot of the shots are the same and they’re edited very similarly, including close-ups of the bored looking band members playing their instruments. The main different between the two is that “At Seventeen” is shot in colour, while “Here It Comes Again” is in black and white.
This attempt at a two-for-one is rather disappointing because one thing I’ve learned is that even back then it was possible to make a decent looking music video for $5000. Even if they wanted to shoot both the videos at the same time, how hard would it have been to have a change of costume and redecorate the background a bit? If this were part of a live performance, you’d expect the different songs to have different lighting and staging. Why the cookie-cutter style for the videos?
Funnily enough, “Here It Comes Again” is a better suit to this performance and video style than “At Seventeen” was. The latter had a disconnect between the lyrics of a teen outsider and the very glam setting of the video. While “Here It Comes Again” is a lovely ode to love, which suits the elegant cabaret style.
But then look at the song title: “Here It Comes Again”. Maybe this is an elaborate performance art statement. Here the Amber Claire video comes again. There is no other.
Best bit: the bit that was like “At Seventeen”, only in black and white.
Next… the fist of fear.